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The Comeback Trail – movie review

A spoof on mercenary Hollywood producers, The Comeback Trail delighted me. It features three of the biggest stars in the business. It’s Hollywood, 1974. Max Barber (Robert De Niro) is a producer whose lack of success in churning out D-grade dirges precedes him. Barber works in partnership with his nephew, Walter Creason (Zach Braff), although…

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Freaky – movie review

A little late for Halloween maybe, but Freaky will definitely scratch that comedy-horror itch. Co-writer and director Christopher Landon builds on the success of his Happy Death Day films with this enjoyable romp – even if he doesn’t really bring anything new to the table. While the Happy Death Day series riffed on Groundhog Day,…

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Brazen Hussies – movie review

First-time documentary director Catherine Dwyer starts her career off impressively with Brazen Hussies. This highly entertaining film charts the course of the so-called “women’s liberation” (the term is pretty dated now) movement between about 1968 and 1976. Over the course of the film’s crisp 93 minutes, Dwyer explores what motivated the movement, where it went…

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Radioactive – movie review

Marie Curie is one of those people. Most of us have a vague idea about her, but her real genius remains elusive. Marjane Satrapi’s (Persepolis) handsome but slightly awkward Radioactive paints a fuller – if generally deferential – picture of the groundbreaking scientist. Lauren Redniss provides the source material via her “visual non-fiction*” book, Radioactive:…

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Alone – movie review

John Hyams’ psychological thriller Alone has twists aplenty. This two-hander set in the Pacific Northwest kept me engaged throughout. Six months ago, Jessica (Jules Willcox) lost her husband in tragic circumstances. Now she’s decided to move away. Her parents were going to help her pack, but she decided to do it alone and avoid especially…

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RAMS – movie review

Cinematic exchanges between Australia and Iceland are, understandably, rare. But that hasn’t deterred director Jeremy Sims, who successfully translates Grímur Hákonarson’s 2015 Icelandic hit Rams into RAMS (note the subtle difference). The tyrannies of distance and language prove no barrier for Sims. And when you think about it, maybe Australia and Iceland have quite a…

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