I’ve now seen A Midsummer Night’s Dream countless times, including at The Royal Shakespeare Theatre in Stratford-upon-Avon (#sogood), because despite its comic complications, it is an easy story to follow and thoroughly enjoy. Though things may not quite be as they seem, Shakespeare’s play about true love’s lack of smooth course, is quite simple in…
‘What are the things I know to be true?’, a naïve and broken-hearted 19-year-old Rosie Price (Eleni Koutsoukis) wonders after an ill-fated encounter hiccups her great European adventure, forcing her to return home to her family in Adelaide. Why wouldn’t she return when her family is the best thing since sliced bread? As we are…
The 1947 play A Streetcar Named Desire is the most celebrated of Tennessee Williams’ works. The classic drama is poetically symbolic but also grimly naturalistic, as represented by the detached but detailed staging of Brisbane Arts Theatre’s production. The staging emphasises the play’s symbolism through its use of glassless mirrors and also aesthetically. The lighting…
Based on the 1975 classic film “Monty Python and the Holy Grail”, a cheeky Camelot spoof on the legendary King Arthur’s quest to find the elusive treasure, the musical Spamalot is a pretty silly show. But silly is not as easy to do as it might seem. Thankfully, Spamalot sees Brisbane Arts Theatre giving audiences nothing…
Brisbane Arts Theatre’s latest mainstage production sets a frenetic pace from its opening scene. It’s a necessity perhaps given its stated aim to share the complete history of comedy, albeit abridged. What follows is a somewhat comprehensive trip through comedy in many of its guises. These include the memorable tell of ‘the chicken’ and its…
Next to Normal begins with a familiar modern family scene; suburban mother Diana Goodman (Carly Skelton) waits up late for her son Gabe (Christopher Batkin) and attempts to comfort her academically-anxious daughter, Natalie (Hannah Kassulke). Soon husband Dan (Adam Bartlett) rises to help prepare the family for “Just Another Day”. Yet their lives are anything…
A.R. Gurney’s Love Letters is the heart-warming story of two people who share a lifetime of experiences through the now old-fashioned medium of handwritten letters. The epistolary work is a unique theatrical experience, not quite a play reading and not entirely a play, but very much an unforgettable event. For those unfamiliar with the play, its…
“I really love the story and I can’t wait to see what they’ve done with it,” I overheard in the pre-show audience at Brisbane Arts Theatre’s take of the Australian cult classic Picnic at Hanging Rock. It’s hardly a surprising expectation; the story of the disappearance of three boarding schoolgirls and a teacher during a picnic…
Before The Book of Mormon, the equally delightfully-offensive Avenue Q was wowing audiences with its combination of childlike whimsy and adult issues. The hilariously vulgar puppet show features similarly skillful lyrics in its catchy soundtrack, from the upbeat sounds of “Everyone’s a Little Bit Racist” to the sentimental reflections of “I Wish I Could Go…
We Will Rock You is an ambitious show, especially for an independent theatre company. Yet, despite the accordingly variable talent levels on stage, Brisbane Arts Theatre’s production serves as a treat for classic-rock fans. The Orwellian rock musical, which is filled with about two dozen Queen songs, takes place 300 years into the future of…
