IRL (La Boite Theatre Company) – theatre review
Social media is a language. Those you speak it will appreciate the authenticity of the
Meredith Walker
Frankenstein (shake & stir) – theatre review
Shake & Stir’s adaption of Mary Shelly’s classic gothic horror novel Frankenstein is thrilling in
Every Brilliant Thing (That Production Company) – theatre review
When depressed, we are urged to remember that things get better for there are many
Bananaland (Brisbane Festival and QPAC) – theatre review
Bananaland opens in the wake of Covid’s decimation of the performing arts sector. Only the
Tae Tae in the Land of Yaaas! (shake & stir) – theatre review
What is your anthem? It’s an early question that not only leaves audience members pondering,
Don’t Ask What the Bird Look Like (Queensland Theatre) – theatre review
The best storytelling comes from showing not telling… that is using action (or lack of,
Capricorn (La Boite) – theatre review
The seemingly inexplicably-named Capricorn sees its action play out in the metaphoric fishbowl of a
Beginning (Moodspark) – theatre review
David Eldridge’s well-written two-hander Beginning has a runtime of 1 hour 40 minutes, without interval.
Children of the Black Skirt (The Curators) – theatre review
Symbolic contrasts abound within The Curators’ stylish production of Angela Betzien’s Children of the Black
Moulin Rouge! The Musical (Global Creatures) – theatre review
The dress code for the Brisbane Premiere of Moulin Rouge! The Musical is ‘Spectacular Spectacular’,