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Greg King

Greg King has had a life long love of films. He has been reviewing popular films for over 15 years. Since 1994, he has been the film reviewer for BEAT magazine. His reviews have also appeared in the Herald Sun newspaper, S-Press, Stage Whispers, and a number of other magazines, newspapers and web sites. Greg contributes to The Blurb on film

Buddy Games – movie review

“You don’t stop playing games because you get older; you get older because you stop playing” was the raison d’etre behind the 2018 film Tag, in which a group of grown men, obsessed with the childhood game of tag, had turned it into a more physical competition that consumed their lives. A similar ethos drives…

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End of the Century – movie review

A gay Sliding Doors with subtitles? End of the Century is essentially a two-handed drama which serves up a meditation on relationships, the choices we make, and the fallibility of memory. Ocho (Juan Barberini), a fortysomething Argentine poet from New York on holiday in Barcelona, meets Javi (Ramon Pujol), a Berlin-based producer of a children’s…

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Rebecca – movie review

Following a whirlwind romance in Monte Carlo, a naïve unnamed young woman (Lily James) is swept off her feet by the handsome and debonair and recently widowed Maxim De Winter (Armie Hammer) and marries him. She is whisked off to Manderley, his imposing ancestral mansion on the windswept English coast. But far from an idyllic…

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Project Power – movie review

An ambitious but unusual take on the superhero/high concept sci-fi genre, Project Power has quickly become one of the most watched movies on the streaming giant Netflix platform. This slick action film seems to be setting itself up for a potential franchise. On the streets of New Orleans an experimental new drug known as Power…

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Lowdown Dirty Criminals – movie review

Paul Murphy’s NZ feature Lowdown Dirty Criminals is an enjoyable but somewhat derivative crime-comedy. The darkly comic caper cribs from the Guy Ritchie playbook, with a lot of his flashy visual flourishes. The non-linear narrative structure uses plenty of flashbacks and replays scenes from different perspectives. The film opens with a Mexican standoff in a…

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