It seems fitting that, whether coincidentally or otherwise, the day after Queensland Theatre welcomed audiences back to previews of Kieran Hurley’s Mouthpiece, the company unveiled plans for the brave new world of theatre in 2021. The program, the first from Artistic Director Lee Lewis is certainly a season for our times, filled with love, laughter,…
Mouthpiece … it is the name of an artwork by Declan Swan (Jayden Popik in an impressive Queensland Theatre debut), but it also has multiple other meanings within Kieran Hurley’s very clever and often ironic award-winning play of the same name. ‘I wanna live like common people, I wanna do whatever common people do’, Pulp’s…
L’Appartement: Chaos in the City of Love is a play with lots of laughs, dark moments, some excellent acting from a top team and a set I’d be happy to live in! Joanna Murray-Smith worked hard as a director to bring her words to life, and it’s not an easy job. The plot sees an…
Colin Thiele’s cherished 1964 novel Storm Boy is part of Australian folklore. The poignant story is of 11-year-old Mike, the titular Storm Boy (Conor Lowe) – named after being seen wandering the Coorong dunes during a dangerous storm – and his gruff reclusive hermit father, ‘Hideaway’ Tom (John Batchelor). Their lives are altered when Storm…
A pre-show soundtrack of Oz-rock classics adds an air of excitement to the experience of audience members awaiting the Brisbane season of Belvoir Theatre’s Barbara and the Camp Dogs by Ursula Yovich and Alana Valentine. It’s an effective emphasis of the pub rock atmosphere for anyone who hasn’t gathered the feel of set designer Stephen…
It’s been a long time since I have read George Johnston’s 1964 Miles Franklin Award-winning My Brother Jack. However, through the lens of undergraduate literary-study nostalgia, I still recognise the seminal Australian novel’s place as part of our country’s canon, despite its challenge to our comfortable assumptions of national character. Still, like many I imagine,…
Queensland Theatre’s Death of a Salesman was a mighty production of a mighty play with a virtuoso performance from Peter Kowitz as Willy Loman, the salesman in question. He was on stage for almost the whole two hours plus of the production and held the audience enthralled by his performance as he slid from time-zone…
Back when I was reviewing for Brisbane’s Spectrum radio show I created the “Scottie” Awards. They were based entirely on my taste in entertainment and collated basically as a tribute the people who gave me a lot of pleasure and whose work I admire. This year I have decided to revive this annual event. So…
As its title suggests, Queensland Theatre’s Hedda is an adaption (by Melissa Bubnic) of Henrik Ibsen’s realist classic Hedda Gabler. The original story is of a scheming Hedda. Just into a marriage of convenience, she decides to destroy the life of an old lover, jealous of his new love affair. The original story is pretty…
David Williamson’s Nearer the Gods intriguingly promotes itself as a show about the politics of 17th Century science. This appears affirmed by its pre-show Purcell Chamber Music sounds and when Isaac Newton (Rhys Muldoon) appears seated at a table centre stage, he is wearing a periwig and dressed extravagantly according to the play’s Restoration-era setting….
