fbpx

Lady Beatle (La Boite) – cabaret review

When The Little Red Theatre Company first bought Lady Beatle to La Boite, the show soon became one of my favourites of 2017. And from the moment Naomi Price bursts forth with “Sgt Pepper’s Lonely Hearts Club Band” it’s clear the tradition will continue with its return to Brisbane. Her appropriate dress of military-style jacket,…

Read More

The Play That Goes Wrong (Athenaeum Theatre and touring) – theatre review ★★★★½

If you are into slapstick humour, you are going to have a ball. This riotous theatrical disaster is stumbling its way around Australia and has just opened in Melbourne. The premise is straight forward enough, but its execution something else entirely. The Cornley Polytechnic Drama Society is attempting to stage a 1920s Agatha Christie-style murder…

Read More

Yesterday – movie review

Yesterday is highly contrived and holds few surprises, but it’s still a heart-warming story. It’s also a showcase for the music of The Beatles. The basis of the tale is pure fantasy and from there it’s basically an adult fairy story. The film follows a decidedly ordinary guy thrust into most extraordinary circumstances. Humour, warmth…

Read More

The Lost City of Z – movie review

The Lost City of Z turns out to be a kind of boy’s own adventure story. Based on author David Grann’s non-fiction bestseller, the film follows British explorer Lieutenant-Colonel Percy Fawcett (Charlie Hunnam). Fawcett journeys into the Amazon in 1906 where he discovers evidence of a previously unknown, advanced civilisation that once inhabited the region. His…

Read More

Sisu – movie review

Bloodlust features prominently in Sisu, an anarchic actioner, set towards the end of WWII. It is 1944. Finland has signed an armistice with the Soviet Union and the Germans are in full retreat. However, the Nazis have adopted a scorched-Earth policy, destroying everything in their wake. A legendary Finnish warrior – Aatami (Jorma Tommila) –…

Read More

Coming Out (Chapel Off Chapel) – theatre review

Showmanship, humour, pathos, anger, overt messaging and song are part of this well-meaning but noticeably stretched offering. At its core is a gay man, Cole (Stephen Loftus), now comfortable in his own skin, although it wasn’t always that way. He talks about his school years and coming out to his parents. And then, after Cole references a mentor…

Read More