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Abigail’s Party (MTC) – theatre review

Ten minutes into Abigail’s Party, I was thinking, “if only the playwright (renowned British scribe Mike Leigh) had killed off all his characters”. Then we wouldn’t have to sit through the rest of this drivel. I was looking around, disinterested in the material. The whole sorry episode seemed simply mindless nonsense. Fast-forward another 90 minutes and I…

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Colder (Red Stitch) – theatre review

Can lightning strike twice? Well, “yes” according to playwright Lachlan Philpott whose work was inspired by real life events. Colder concerns the disappearance of David in Disneyland at age seven and then again in a different place 26 years later. On the first occasion, he reappears after seven frantic hours. The second time, he does…

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Bouncers (heartBeast) – theatre review

With wrists stamped, audiences enter into the reckless LED-lit world of a Brisbane nightclub. They’re entering Bouncers – and all the abandon that show entails. The observational account of a Friday night from heartBeast Theatre, features four male cast members, Chris Vaag, Campbell Lindsey, Peter Condon and Rowan Howard. Dressed in suit and tie ensembles, they play all…

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Cabaret de Paris (touring) – theatre review

A super clown act and an extraordinarily nimble pole dancer are among the highlights of the burlesque-style Cabaret de Paris. It showcases bejewelled dancers in skimpy and elegant attire, headlined by a former star of Paris’s Moulin Rouge, Marissa Burgess. Best known as the spiritual birthplace of the modern can-can, Moulin Rouge has been a drawcard…

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Aladdin (QPAC) – theatre review

Disney’s Aladdin is simply a mind-blowing visual experience that had the audience in ecstasies that resembled an old time US revival meeting as they screamed, cheered, and gasped in adoration. With American accents it was Disney all the way with feel, audience pitch, values and quality. For me, after an adult life time involved in…

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