What a legacy the Swedish pop group ABBA has left the world! That was my overwhelming sentiment while watching the fun of Mamma Mia! unfold at Capitol Theatre in Sydney. It’s a heartwarming romp that gets better until the final three crowd-pleasing numbers. The whole audience is on its feet clapping its hands and dancing to…
Disney’s Aladdin is simply a mind-blowing visual experience that had the audience in ecstasies that resembled an old time US revival meeting as they screamed, cheered, and gasped in adoration. With American accents it was Disney all the way with feel, audience pitch, values and quality. For me, after an adult life time involved in…
The sophisticated operatic farce, A Little Night Music, is set in 19th Century Sweden. It follows the misadventures of a set of illicit lovers and their spouses who come together for an idyllic weekend in the country. The show deals with issues of forbidden love and infidelity, sexuality, gender, class, lost love and regrets. Lawyer…
Three disaffected young men are at the centre of Green Day’s rock opera American Idiot. The story is expanded from their album of the same name, (released in 2004) and also features music from the 2009 album 21st Century Breakdown. Lead vocalist and guitarist Billie Joe Armstrong and bassist Mike Dirnt formed Green Day in…
Single Asian Female by Michelle Law, was first produced by the La Boîte Theatre Company in Brisbane in 2017. It’s been revived for this Sydney season at the invitation of the Belvoir Company. The work was developed with the assistance of the Lotus Playwriting Project, an initiative of Playwriting Australia and Contemporary Asian Australian Performance (formerly…
Push The Book of Mormon over a cliff and mix in an unhealthy dose of Avenue Q and you go some way to describing the irreverence that is Hand to God. A puppet practice workshop in a church gets shanghaied by the devil and it’s only a matter of time before proceedings spiral totally out…
A microphone or two, a stool, a modern armchair, an elegant dark dress and that voice honed to perfection. This is the incomparable talent of Bernadette Robinson in The Show Goes On. Through 75 minutes, the indefatigable Robinson (Songs for Nobodies) showcases some of the finest female musical talents of the 20th century. She has…
Kathryn Marquet’s The Dead Devils of Cockle Creek begins in darkness. When the stage is lit, it reveals a ramshackle ranger’s station shack somewhere in the wilds of south-western Tasmania. Centre-stage is Dr George Templeton (Emily Weir), cradling an infant devil in her arms. The environmental scientist is determined, passionate and intelligent enough to know…
Among my favourite TV shows growing up were the household staple of comedies: Get Smart (1965-70), I Dream of Jeannie (1965-70), Hogan’s Heroes (1965-71) – and Gilligan’s Island (1964-67). So with a great sense of excitement, I ventured into Chapel off Chapel to see my childhood memories revived in Gilligan’s Island: The Musical. I felt wary…
Esther Hannaford, take a bow. What a star! Beautiful: The Carole King Musical is a showcase of all that is great about musical theatre – joyful and triumphant, with Hannaford front and centre. The music is outstanding – hit after glorious hit – with superb voices to match. The story is wonderfully crafted – lovingly populist, with…
