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Hay Fever – theatre review

Slapstick humour abounds in MTC’s revival of Noel Coward’s outrageous comedy Hay Fever. Set in an English country house in the 1920s, the play deals with the four eccentric members of the Bliss family and their outlandish behaviour. Each invites a guest to spend the weekend, without initially telling the others. Sorel (Imogen Sage) and…

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An Octoroon – theatre review

An octoroon is a person who has one-eighth black heritage. This now-politically-incorrect titular understanding is at the centre of Queensland Theatre’s An Octoroon we are told in a meta-theatre pre-emptive explanation of the Act Four function in melodrama. The clarification is not necessary, but appreciated given all that is going in American writer Branden Jacobs-Jenkins’…

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As You Like It – theatre review

A little over a year ago, the Victorian government was presented with the idea of building a full-scale working replica of Shakespeare’s theatre, the second Globe, to be filled with a festival of the Bard’s masterworks. The concept from founder and artistic director Dr Miles Gregory and executive director Tobias Grant originated a year before…

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Asylum (Owl & Cat) – theatre review

Accurate diagnosis and appropriate treatment for mental illness should be a given, but as history shows, often that’s not the case. In Asylum, two involuntarily institutionalised patients are put through the wringer by an overly officious (read: downright brutish) doctor. One is a young man, Ben (Steven Oktaras), who believes he is dead. Most of all, he…

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The Way Out (Red Stitch) – theatre review

A compelling doomsday scenario underpins the dystopian drama, The Way Out. Mankind is hanging by a thread after a civil war 15 years earlier. The air is polluted. Facemasks are mandatory for survival outdoors. Unless sanctioned, travel is banned outside one’s “zone”. All clothing is synthetic. Food is of a low quality and in short supply, while much…

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Switzerland (BSSTC) – theatre review

An emissary from a New York publishing house (Giuseppe Rotondella) is dispatched to Switzerland to convince reclusive crime novelist Patricia Highsmith (Jenny Davis) of The Talented Mr. Ripley fame to sign a new contract. A bold move to stage a two-hander at an hour forty five minutes with no intermission in the Heath Ledger. The…

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