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Mother (If Theatre) – Theatre Review

Noni Hazlehurst is unrecognisable as dishevelled vagrant Christie, wandering about the rubbish that litters the Cremorne Theatre’s ramshackle staging in Mother. Christie is a homeless alcoholic, sorrowful but resolute in her attempts to survive on the suburban fringe of Melbourne. And Hazlehurst inhabits her just as Christie inhabits the littered debris of Kat Chan’s set design….

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Slut (The Burrow) – theatre review

Promiscuity to hide the pain. That – in a nutshell – is the short life and times of Lolita, as evocatively captured by Patricia Cornelius in Slut. We chart her childhood, mainly through three frenemies (Michaela Bedel, Lauren Mass and Jessica Tanner) – girls who grew up with her, befriended her and then dissed her. They excitedly…

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A Streetcar Named Desire (Brisbane Arts Theatre) – Theatre Review

The 1947 play A Streetcar Named Desire is the most celebrated of Tennessee Williams’ works. The classic drama is poetically symbolic but also grimly naturalistic, as represented by the detached but detailed staging of Brisbane Arts Theatre’s production. The staging emphasises the play’s symbolism through its use of glassless mirrors and also aesthetically.  The lighting…

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