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Alex First

Alex First is the editor of The Blurb. Alex is a Melbourne based journalist and communications specialist. He also contributes to The Blurb on film and theatre.

Off the Rails – movie review

I couldn’t think of a more appropriate name for a cliche-riddled film that fails to ignite than Off the Rails. When Anna she dies of cancer, she leaves European rail passes for her three good friends to revisit their past adventures. Each of the middle-aged women have their issues. Cassie (Kelly Preston), who plays a…

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Admissions (MTC) – theatre review

White privilege receives a pummelling in the satire Admissions. It is 2015 and Sherri Rosen-Mason (Kat Stewart) is head of admissions at an exclusive US high school – Hillcrest in New Hampshire, New England. Over 15 years, Sherri has worked tirelessly to raise the percentage of coloured students at the school. She has succeeded in seeing that proportion…

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The Batman – movie review

In Matt Reeves’ dark vision, The Batman, Gotham City is a cesspool of evil and corruption. For two years Bruce Wayne – a.k.a. The Batman (Robert Pattinson) – has been trying to clean it up, but to no avail. The situated has deteriorated further. Promises of renewal and change have not materialised. Now a madman…

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C’mon C’mon – movie review

Writer and director Mike Mills (20th Century Women) makes superb, insightful films that tap into the human condition … and now here is another. C’mon C’mon is a remarkable, sensitive work about tapping into your feelings. Joaquin Phoenix plays Johnny, who – along with a few colleagues – is making a radio documentary. They are…

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Hive – movie review

Based on a true story, Hive tells of the tragedy of the aftermath of the war in Kosovo in the late 1990s. Specifically it focuses on its impact on the village of Krusha e Madhe. The film follows one woman, Fahrije Hoti (Yllka Gashi). Her husband disappeared seven years earlier, leaving behind not only her,…

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Studio 666 – movie review

If you aren’t a fan of either the Foo Fighters or shlock horror, you can give Studio 666 a wide berth. The band gather around a boardroom table and their record label CEO Jeremy Shill (Jeff Garlin) enters with expletives flying. He tells them he’s in debt up to his eyeballs and the Foo Fighters…

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