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Lamb (Red Stitch) – theatre review

Three superb performances highlight Lamb. This sensitive theatrical work combines word and song, and focuses on the hardships of a family born of the land. Lamb concentrates on two generations. The first act starts with the mother’s funeral. The younger of two daughters, Annie (Brigid Gallacher)  – a professional singer – has arrived home after…

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Twelfth Night (MTC) – theatre review

Often riotously funny, Shakespeare’s romantic comedy Twelfth Night is brilliantly staged by MTC and features several wonderful performances. With lots of musical ditties, it’s a tale of mistaken identities, love triangles and pranks. Here I’m indebted to SparkNotes for helping me to unravel the intricacies of Shakespeare’s Old English. The action is set in the…

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Next Move 11 (Chunky Move) – theatre review

Contemporary dance mixes with ancient ritual in Chunky Move’s double-header Next Move 11. The first work, titled “Nether”, is directed, choreographed and performed by Lauren Langlois. She shares the stage with James Vu Ahn Pham, who collaborated on the choreography. “Nether” has an otherworldly feel. It’s a fusion of light, music and movements that are on…

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Astroman (MTC) – theatre review

A feel good Aussie comedy with dramatic undertones, Astroman really comes into its own in the second act. Set in 1984, the play centres on a 13-year-old indigenous kid, Jiembra Djalu (Kamil Ellis), who loves video games. He and his sporty twin, Sonny (Calen Tassone), their 16-year-old sister Natalie (Tahlee Fereday) and mother Michelle (Elaine…

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Two Hearts (KXT) – theatre review

Three recent drama school graduates – Katie Cawthorne, Jessica Arthur and Laura Lethlean – formed The Anchor company to produce theatre work. Over the past year they have developed this 60-minute play, Two Hearts. It comes from their experiences of past personal relationships and their perception of how important the small details of their relationships…

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Don Giovanni (Opera Qld) – theatre review

Lindy Hume’s darkly delicious production of the Mozart masterpiece Don Giovanni has “hit” written all over it. From the stirring opening overture to the amazing finale, with fifty-odd mostly naked women pushing Don Giovanni to hell, it gripped, titillated, amused, and at times brought gasps of disbelief from a shell-shocked audience. There was no watch…

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