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Caesar (La Boite Theatre Company) – Theatre Review

“Welcome Julius Caesar” we see posted on a side-of-stage whiteboard before La Boite’s world premiere contemporary reimagining of Shakespeare’s political thriller Julius Caesar fills the space. As the show starts, notices are added, a rack of costumes wheeled in and hand props put in their place. Soon, the actors being arriving for their first rehearsal. Chenoa…

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Our Town (QT) – theatre review

Our Town, 1938 Thorton Wilder’s Pulitzer Prize-winning ode to small-town American life, requires only minimal production values, with the playwright calling for no curtain, no scenery, and an empty stage in half-light. The play ignores most dramatic conventions. It is set in the actual theatre where it is being performed, but the year is, as…

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Ophelia – movie review

Much like Tom Stoppard’s Rosencrantz and Guildenstern are Dead, Australian director Claire McCarthy’s Ophelia concentrates on a relatively minor character in Shakespeare’s Hamlet. But unlike Stoppard’s absurdist play, this film is basically a re-telling of Hamlet from Ophelia’s perspective – with a few twists thrown in. McCarthy directs from Semi Chellas’ screenplay, adapting Lisa Klein’s…

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Twelfth Night (MTC) – theatre review

Often riotously funny, Shakespeare’s romantic comedy Twelfth Night is brilliantly staged by MTC and features several wonderful performances. With lots of musical ditties, it’s a tale of mistaken identities, love triangles and pranks. Here I’m indebted to SparkNotes for helping me to unravel the intricacies of Shakespeare’s Old English. The action is set in the…

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Hamlet (QSE) – theatre review

I love Hamlet; it’s my preferred Shakespearean tragedy. Visiting its Kronborg Castle setting was my favourite of all days when touring in Denmark. There’s something rotten in the Denmark of this ultimate revenge drama though. After his father’s death, Prince Hamlet (Silvan Rus) is overlooked for the crown in favour of his uncle, Claudius (Ben…

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