What can I say about The French Photographer by Natasha Lester that hasn’t already been said? Natasha goes from strength to strength, delivering old fans and new immensely engaging stories one after another. I don’t know how she does it (although if you check her blog, she shares a lot of her process)! Here’s the…
Movies about weddings, with all their inherent potential for high drama and comedy, are a popular choice for both filmmakers and audiences. Top Wedding, directed by Wayne Blair (The Sapphires), should prove a crowd-pleaser in this country although whether it will translate to overseas audiences will be interesting to watch. Marketed as a romantic comedy,…
Experienced director James Kent (Testament of Youth) brings Rhidian Brook’s well-received novel to the big screen in The Aftermath. And while fans of the book will notice some glaring differences, the film nonetheless goes to some interesting places. Brook himself headed the scriptwriting team, collaborating with Joe Shrapnel and Anna Waterhouse to beef up the…
Director Barry Jenkins proves Moonlight was no fluke with another outstanding piece of filmmaking in If Beale Street Could Talk. This gorgeous, multi-facted film takes a seemingly simple story and builds it into something much more. Jenkins fits together basically three aspects of the black experience in America. First he examines the importance of family….
At First Light is a minimalist sci-fi movie from Canada. Although it offers a rather disappointing outcome and they could have done more with the powers Alex (Stefanie Scott) has at a certain moment, it’s still worth watching. For the umpteenth time, it’s clear you don’t need a huge budget to make a fascinating film….
Lady Bird and the Fox by Kim Kelly is one of the best historical fiction titles I’ve read in a long time, a claim boosted by the familiarity I felt with the setting (not far from where I grew up). This is the blurb: It’s 1868 and the gold rush is spreading across the wild…
It saddens me to have to return to the theme of lame Aussie movies. The Flip Side is yet another clunky example, with are equally clunky title. The script is thin, the action dull, some of the acting questionable and the direction rudderless. There are even pauses that should never be seen in a film. It…
The sumptuous big-screen soapie Crazy Rich Asians feels like a guilty pleasure. Based on the bestseller by Kevin Kwan, this is a contemporary rom-com that takes a fun look at what can happen when young love collides with old money. The story follows New York economics professor Rachel Chu (Constance Wu) as she accompanies her…
A cast of non-professional autistic actors does a mighty job breathing life into an unconventional love story in Keep the Change. We meet wealthy David (Brandon Polansky) on his first day at Connections, a community for adults with autism. The other attendees confirm he doesn’t belong there … at least that’s the way David feels…
A calm movie from time to time is something I welcome. Not a flashy, action film where you’ll get nervous because the scenes follow each other at a rapid pace and stroboscopic effects get you a cutting headache. Submergence undoubtedly belongs to the calm movie category. So, no nauseating headache. No disorientation. You’ll certainly not…
