fbpx

End of the Century – movie review

A gay Sliding Doors with subtitles? End of the Century is essentially a two-handed drama which serves up a meditation on relationships, the choices we make, and the fallibility of memory. Ocho (Juan Barberini), a fortysomething Argentine poet from New York on holiday in Barcelona, meets Javi (Ramon Pujol), a Berlin-based producer of a children’s…

Read More

How to be a Good Wife – movie review

French cinematic touchstones and a powerful feminist message merge in Martin Provost’s How to be a Good Wife. This slightly bonkers film traverses similar ground to Philippa Lowthorpe’s Misbehaviour, and does it with a similarly entertaining flair. But it also leans heavily into the traditions of French farce. Provost’s previous film was the far more…

Read More

Audrey – movie review

I can’t think of an actress who has epitomised class, style and magnetism more than the late, great Audrey Hepburn (1929 – 1993). The documentary Audrey charts her life’s course. Notwithstanding remarkable and well-deserved success, there was also much pain and sadness. She was just a young girl when her parents split and war broke…

Read More

The Furnace – movie review

The Nightingale (2018) rewrote the rules around brutal representations of Australia’s colonial past. Now The Furnace follows in its footsteps, albeit less successfully. In remote Western Australia circa 1897, a young Afghani cameleer, Hanif (Ahmed Malek), is determined to escape the outback and return home. Hanif has witnessed a white man murder his mentor. Now…

Read More

The Witches – movie review

Slow to ignite, The Witches is an uneven adaptation of Roald Dahl’s novel of the same name. It’s 1967. Eight year-old Hero Boy (newcomer Jahzir Bruno) loses his parents in a car accident and goes to live with his Grandma (Octavia Spencer) in rural Alabama. Clearly hit hard by their passing, he says little and…

Read More

Words on Bathroom Walls – movie review

Words on Bathroom Walls is an important movie. This mainstream dramatic teen romance normalises schizophrenia. While it’s often disturbing, it has an authenticity about it. That has much to do with the balance in the script by Nick Naveda – based on a novel of the same name by Julia Walton – and the calibre…

Read More