fbpx

The Nightingale – movie review

The sophomore feature from Jennifer Kent (The Babadook), The Nightingale offers up horrors of a different kind. Set in Tasmania in 1825, the film is a bloody, brutal and unflinching tale of revenge that also addresses the savage history of colonial Australia, the systemic abuse and mistreatment of women and the indigenous population. It makes…

Read More

A Dog’s Journey – movie review

A Dog’s Journey is true to its title, following on in the trajectory of its forerunner, A Dog’s Purpose (2017). The result is a contrived tear-jerker with plenty of heart; despite some serious overacting, The dog of the title, Bailey (the voice of Josh Gad), is living the good life on the Michigan farm owned…

Read More

Midsommar – movie review

Midsommar is one of the most bizarre and perverse movies I’ve seen. The second feature film from writer and director Ari Aster (Hereditary), is a journey into the heart of darkness – a hallucinatory and disquieting fairy tale. During a getaway with academic mates to a bucolic Swedish village, American couple Dani (Florence Pugh) and…

Read More

Danger Close: The Battle of Long Tan

Danger Close provides an insight into the horror and heroism of the Battle of Long Tan from an Australian perspective. Although overacted, this is a movie not easily forgotten. The movie is based on the true story of that battle in South Vietnam on 18 August 1966. It saw 108 young and largely inexperienced Australians…

Read More

Late Night – movie review

Late Night pokes fun at a flawed TV talk show host who’s been sacked after a decade of plummeting ratings. After almost 30 years on the box, legendary entertainer Katherine Newberry (Emma Thompson) – a pioneer in her field – is losing her touch. She dismisses contemporary guests in favour of those who are rock…

Read More

Ophelia – movie review

Much like Tom Stoppard’s Rosencrantz and Guildenstern are Dead, Australian director Claire McCarthy’s Ophelia concentrates on a relatively minor character in Shakespeare’s Hamlet. But unlike Stoppard’s absurdist play, this film is basically a re-telling of Hamlet from Ophelia’s perspective – with a few twists thrown in. McCarthy directs from Semi Chellas’ screenplay, adapting Lisa Klein’s…

Read More