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American Song (Red Stitch) – theatre review

Fifty-eight people died and more than 520 were injured in the Las Vegas slaughter. Joanna Murray-Smith wrote her powerful and affecting one-man play American Song long before that tragedy unfolded. Unfortunately mass shootings in the land of the free have become all too common. American Song was commissioned in the US and first produced there last year…

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Song to Song – music review

I loathed the past couple of films from revered auteur Terrence Malick, particularly his To the Wonder and Knight of Cups, with their frustratingly obtuse, indulgent and abstract experimental nature, existential meditations, impressionistic and unconventional approach to narrative, the mumbled and at times inaudible dialogue often delivered as internal monologues, the non-linear structure and fractured…

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Blade Runner 2049 – movie review

I want to do something different with Blade Runner 2049. Rather than discuss the plot, the acting, and the score (which are all excellent by the way), I want to take a step back a bit. Blade Runner (1982) wasn’t the first dystopian sci-fi movie (or even the first noir sci-fi), it was a groundbreaking…

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Final Portrait – movie review

If there’s one thing Hollywood loves to celebrate, it’s the artistic process. Doing that is fairly easy with things like theatre (see: Birdman) or movies themselves. Painting however is a rather different proposition. Since it’s a largely internal process, it doesn’t really lend itself to the visual medium. That hasn’t stopped actor-turned-director Stanley Tucci from…

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Flatliners – movie review

Death becomes her. That’s a rather facetious reference to what kicks off the key character’s journey in this dramatic sci-fi horror – a re-imagining of the 1990 film of the same name. Five medical students are obsessed by the mystery of what lies beyond the confines of life. They decide to undertake a daring and…

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The Dancer – movie review

The Dancer is an unusual story about achievement, heartbreak and pain. This period film concerns a dancer who rewrote the rule book. Born in the American Midwest, nothing in her background destined farm girl Loïe Fuller (Soko) to become the toast of Europe’s Belle Epoque cabarets. But – hidden behind metres of silk, her arms…

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