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Blood Vessel – movie review

“Dead bodies usually mean something bad…” It’s 1945, towards the send of WWII. The German navy are even sinking hospital ships. When the film opens, a group of survivors from a sunken hospital ship are adrift somewhere in the North Atlantic. Tensions are high as they are desperately short of food and water. This motley…

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New music round-up

Our selection of the best new music across a range of genres from the week ending 14 August 2020. Siberian Tiger – the South Australian duo of Bree Tranter (The Middle East) and Chris Panousakis (Timberwolf) – have released their debut EP, First Dance. What started as a cathartic ritual soon began to take shape…

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La Belle Époque – movie review

If you’ve ever seen Karel Reisz’s superb The French Lieutenant’s Woman (1981); or Michel Gondry’s Eternal Sunshine of the Spotless Mind (2004), you may find something familiar in Nicolas Bedos’ La Belle Époque. This brilliantly conceived drama of love and loss is inventive, poignant and compelling. Bedos is an actor who’s turned to directing. That…

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Made in Italy – movie review

The lure of Italy is strong – especially for filmmakers. It seems every story of transformative discovery needs to play out against a sun-dappled backdrop in Sicily or the Veneto. But of course, Tuscany is particularly beloved (see Under the Tuscan Sun, and its ilk). So it’s not exactly surprising that British writer-director James D’Arcy…

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Force of Nature – movie review

An ostensibly by-the-book police procedural, Force of Nature nevertheless has a few surprises that give it a kick along. In New York, Detective Cardillo (Emile Hirsch) is making out with his cop partner (and fiancé). Against the woman’s protestations, Cardillo answers a call of duty and everything changes. Then we cut to Puerto Rico, where…

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Resistance – movie review

Marcel Marceau was regarded as the world’s foremost mime artist. But I dare say many would be unaware of intriguing his back story, as covered in Resistance. From his earliest, Marceau (Jesse Eisenberg) was driven to “perform”; something his religious Jewish father, Charles Mangel (Karl Markovics), railed against. There was a reason for that, which…

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