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Tenzing (PG) – 125 minutes – movie review

The narrative feature Tenzing charts the emotional background to the historic ascent of Mount Everest by Nepalese-Indian Sherpa Tenzing Norgay on 29th May, 1953. Standing beside him on the summit – New Zealander Edmund Hillary. Based on true events, aspects have been dramatised and amalgam characters created. The film positions Norgay (Genden Phuntsok as an…

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Nosferatu – movie review

Atmospheric, Nosferatu puts the bite on an impressionable youngster, who carries her commitment to Dracula into her marriage, with terrifying consequences. Writer and director Robert Eggers (The Lighthouse) is at the helm of this supernatural horror film. He was inspired by Bram Stoker’s novel Dracula (1897) and by the screenplay for Nosferatu: A Symphony of…

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Poor Things – movie review

Greek filmmaker Yorgos Lanthimos makes weird but oddly compelling and visually arresting dramas and absurdist comedies. His resume includes films such as The Lobster, The Killing of a Sacred Deer, and The Favourite, which have won numerous awards on the festival circuit. But his deadpan approach and detached style have proved polarising and controversial with…

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Motherless Brooklyn – movie review

Brooklyn, 1957. Lionel Essrog (Edward Norton) is a private investigator who suffers from Tourette’s syndrome. He also has an eidetic memory for detail which makes him perfect for the job. Once an orphan, Lionel was taken under the wing of private investigator Frank Minna (Bruce Willis) who became his mentor and something of a father…

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The Lighthouse – movie review

Director Robert Eggers certainly loves a descent into madness. After the refined horror-thriller The Witch, he’s back with another hallucinatory drama in The Lighthouse. Despite having only two characters on screen for much of the time, this is a complex, disturbing examination of human frailty; sprinkled liberally with a variety of myths from different cultures….

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Aquaman – movie review

I’m not sure what’s going on with James Wan’s blockbuster Aquaman. This is a bloated Franken-movie that cobbles together parts of many – mostly better (*cough* Black Panther *cough*) films. Yet by the time the climactic final battle takes place, I found myself cheering for our hero. How does that happen? As a director, Wan’s…

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