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Asylum (Owl & Cat) – theatre review

Accurate diagnosis and appropriate treatment for mental illness should be a given, but as history shows, often that’s not the case. In Asylum, two involuntarily institutionalised patients are put through the wringer by an overly officious (read: downright brutish) doctor. One is a young man, Ben (Steven Oktaras), who believes he is dead. Most of all, he…

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The Way Out (Red Stitch) – theatre review

A compelling doomsday scenario underpins the dystopian drama, The Way Out. Mankind is hanging by a thread after a civil war 15 years earlier. The air is polluted. Facemasks are mandatory for survival outdoors. Unless sanctioned, travel is banned outside one’s “zone”. All clothing is synthetic. Food is of a low quality and in short supply, while much…

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Switzerland (BSSTC) – theatre review

An emissary from a New York publishing house (Giuseppe Rotondella) is dispatched to Switzerland to convince reclusive crime novelist Patricia Highsmith (Jenny Davis) of The Talented Mr. Ripley fame to sign a new contract. A bold move to stage a two-hander at an hour forty five minutes with no intermission in the Heath Ledger. The…

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killers (Owl & Cat) – theatre review

Pain, depression and death  get a working-over in killers. The Owl & Cat’s production is the world premiere of New York playwright Kevin Armento’s work. Miranda’s (Holly Chadwick) earliest memories are destructive thoughts – mayhem, torture and split blood. At primary school she meets and befriends Bobby Barrett (Charles Russell). The pair bond over their collective negativity. In no time, they are dishing…

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Kindertransport (DTC) – theatre review

Kindertransport is an English play written in 1993, by Diane Samuels. Samuels has written: In early November 1938 an intensive series of ‘pogrom’ attacks on Jewish property and arrests of people were launched in Nazi Germany. This became known as ‘Kristallnacht’, The Night of Broken Glass, and has subsequently been called “pogromnacht’ or Novemberpogrome’. In…

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