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Horizon (Playlab) – Theatre Review

Maxine Mellor’s Horizon is an intense experience … not the type of show to be enjoyed so much as to provoked by. It is a sensibility that is conveyed from before its start thanks to an ominous pre-show soundscape and the gothic shadows of a darkened stage featuring a single white line as video backdrop…

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Ema – movie review

Pablo Larraín is a Chilean filmmaker of distinctive style. Much loved in art house circles, his films are often marked by slow narratives punctuated by arresting visuals – and occasionally violence. His latest film to reach these shores, Ema (actually made in 2019) follows a similar pattern. Larraín’s Jackie (2016) was one of my favourite…

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Carmilla – movie review

In 2015, Robert Eggers played with the intersection of the real and the fantastic in the horrifyingly effective The Witch. Now writer-director Emily Harris treads similar territory in the creepy Carmilla. Like The Witch, Harris explores the line between reality on one hand, and fear and superstition on the other. But where Eggers left a…

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