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Hedda (QT) – theatre review

As its title suggests, Queensland Theatre’s Hedda is an adaption (by Melissa Bubnic) of Henrik Ibsen’s realist classic Hedda Gabler. The original story is of a scheming Hedda. Just into a marriage of convenience, she decides to destroy the life of an old lover, jealous of his new love affair. The original story is pretty…

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Avenue Q (BAT) – theatre review

Before The Book of Mormon, the equally delightfully-offensive Avenue Q was wowing audiences with its combination of childlike whimsy and adult issues. The hilariously vulgar puppet show features similarly skillful lyrics in its catchy soundtrack, from the upbeat sounds of “Everyone’s a Little Bit Racist” to the sentimental reflections of “I Wish I Could Go…

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Don Giovanni (Opera Qld) – theatre review

Lindy Hume’s darkly delicious production of the Mozart masterpiece Don Giovanni has “hit” written all over it. From the stirring opening overture to the amazing finale, with fifty-odd mostly naked women pushing Don Giovanni to hell, it gripped, titillated, amused, and at times brought gasps of disbelief from a shell-shocked audience. There was no watch…

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Nearer the Gods (QT) – theatre review

David Williamson’s Nearer the Gods intriguingly promotes itself as a show about the politics of 17th Century science. This appears affirmed by its pre-show Purcell Chamber Music sounds and when Isaac Newton (Rhys Muldoon) appears seated at a table centre stage, he is wearing a periwig and dressed extravagantly according to the play’s Restoration-era setting….

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Hamlet (QSE) – theatre review

I love Hamlet; it’s my preferred Shakespearean tragedy. Visiting its Kronborg Castle setting was my favourite of all days when touring in Denmark. There’s something rotten in the Denmark of this ultimate revenge drama though. After his father’s death, Prince Hamlet (Silvan Rus) is overlooked for the crown in favour of his uncle, Claudius (Ben…

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Mother (QPAC) – theatre review

Noni Hazlehurst (right) has been touring this one-woman masterpiece for more than two years now and everywhere she has packed the venues and earned wide acclaim. After watching her performance at the Cremorne there is no problem in understanding why. The whole package, from words and performance, to lighting, set and sound, was perfect theatre;…

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