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The Broken Mill (Chapel off Chapel)

The bizarre meets the macabre and the maudlin in The Broken Mill. Through original song, storytelling and mime, six performers and four band members tell the tale of the manipulative and murderous Mama (Sarah Wall). She has taken in the destitute and disenfranchised and pulled together a cabaret involving misfits and mould breakers. Some are convinced she…

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The Great Gatsby: A Jazz Ballet Odyssey (BIG Live), at Her Majesty’s Theatre and touring – ballet/dance review

F. Scott Fitzgerald’s classic 1925 novel is reimagined for the stage in a fusion of ballet, tap and jazz. BIG Live is a welcome new voice in the performing arts – a ballet company where tradition meets innovation. Alongside narration of the tragic Gatsby storyline is a stunning score, bold choreography, striking sets and costuming,…

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Horizon (Playlab) – Theatre Review

Maxine Mellor’s Horizon is an intense experience … not the type of show to be enjoyed so much as to provoked by. It is a sensibility that is conveyed from before its start thanks to an ominous pre-show soundscape and the gothic shadows of a darkened stage featuring a single white line as video backdrop…

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Angel of Mine – movie review

Angel of Mine is a slow-moving thriller about  intuition and obsession. Inspired by real events, it follows divorced mother Lizzie Manning (Noomi Rapace). She’s emotionally fraught, as she battles for custody of her son and juggles a job as a sales rep for a cosmetics line. An encounter with Lola (Annika Whiteley) turns Lizzie’s life…

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Darkest Hour – movie review

Darkest Hour is a kind of backgrounder on Winston Churchill’s “never surrender” speech. It also touches on the flotilla dispatched to fetch the British troops from the beach at Dunkirk (as to which, see Dunkirk). But this showy biopic has too much emphasis on levity. Joe Wright (Atonement) directs from a screenplay by Anthony McCarten (The…

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