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Dinner (STC) – theatre review

In the original published text of Dinner – which differs from what we see in this production – Paige (Caroline Brazier), a famous gourmet hostess, invites a group of middle class intellectuals (not aristocrats, as suggested in the program) to a, supposedly, celebratory dinner. The event is to celebrate the successful publication of her husband’s,…

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Song to Song – music review

I loathed the past couple of films from revered auteur Terrence Malick, particularly his To the Wonder and Knight of Cups, with their frustratingly obtuse, indulgent and abstract experimental nature, existential meditations, impressionistic and unconventional approach to narrative, the mumbled and at times inaudible dialogue often delivered as internal monologues, the non-linear structure and fractured…

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Blade Runner 2049 – movie review

I want to do something different with Blade Runner 2049. Rather than discuss the plot, the acting, and the score (which are all excellent by the way), I want to take a step back a bit. Blade Runner (1982) wasn’t the first dystopian sci-fi movie (or even the first noir sci-fi), it was a groundbreaking…

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Final Portrait – movie review

If there’s one thing Hollywood loves to celebrate, it’s the artistic process. Doing that is fairly easy with things like theatre (see: Birdman) or movies themselves. Painting however is a rather different proposition. Since it’s a largely internal process, it doesn’t really lend itself to the visual medium. That hasn’t stopped actor-turned-director Stanley Tucci from…

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Flatliners – movie review

Death becomes her. That’s a rather facetious reference to what kicks off the key character’s journey in this dramatic sci-fi horror – a re-imagining of the 1990 film of the same name. Five medical students are obsessed by the mystery of what lies beyond the confines of life. They decide to undertake a daring and…

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