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In the Heights – movie review

Before Hamilton, there was In the Heights. Cultural phenomenon Lin-Manuel Miranda finally brings his Broadway musical about the largely Latin-American community of Washington Heights to the big screen. He once again collabs with Quiara Alegría Hudes (who wrote the book for the musical) and brings in Jon M. Chu (Crazy Rich Asians) to direct. The…

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Recollection (fortyfivedownstairs) – theatre review

Olivia (Eve Morey) is heartbroken. Her bright, talented, intelligent, 16-year-old daughter Molly (Molly Holohan) – an artist in the making – recently tragically passed away. Although the pair clearly loved one another, there were elements of Molly’s life about which wedding photographer Olivia knew little. Molly had struck up a friendship with a poor, headstrong new…

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The Merger – movie review

Although corny at times, the quintessentially Australian comedy The Merger is also endearing. The township of Bodgy Creek has seen better days: the population is dwindling, jobs are scarce and litter has built up around the fading Tidy Town sign. The next victim of the town’s decline is set to be its cash-strapped Aussie Rules…

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Ladies in Black – movie review

In a plentiful year for Australian film, Ladies in Black is the latest local story to grace our screens. Directed by iconic storyteller Bruce Beresford, Ladies in Black has the makings of the next Australian classic. Adapted from a book by Madeline St John (and subsequent successful musical, with music by Tim Finn), the story…

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Avengers: Endgame – movie review

I nearly decided not to review Avengers: Endgame. After all, the film is pretty much “review-proof”. If you have even the slightest interest in the Marvel Cinematic Universe (MCU, for the uninitiated), you’re probably going to see it regardless. If you have no such interest, seeing it will be pretty pointless. But in the end,…

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The Spy Who Dumped Me – movie review

I like a good spy movie; but The Spy Who Dumped Me isn’t a great spy movie. It is however a decent comedy exploring the dynamics of female bonding, and that makes it worth seeing. Director Susanna Fogel and her writing partner David Iserson have crafted a rollicking tale that taps into (without ever subverting)…

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