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Asylum (Owl & Cat) – theatre review

Accurate diagnosis and appropriate treatment for mental illness should be a given, but as history shows, often that’s not the case. In Asylum, two involuntarily institutionalised patients are put through the wringer by an overly officious (read: downright brutish) doctor. One is a young man, Ben (Steven Oktaras), who believes he is dead. Most of all, he…

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The Way Out (Red Stitch) – theatre review

A compelling doomsday scenario underpins the dystopian drama, The Way Out. Mankind is hanging by a thread after a civil war 15 years earlier. The air is polluted. Facemasks are mandatory for survival outdoors. Unless sanctioned, travel is banned outside one’s “zone”. All clothing is synthetic. Food is of a low quality and in short supply, while much…

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Switzerland (BSSTC) – theatre review

An emissary from a New York publishing house (Giuseppe Rotondella) is dispatched to Switzerland to convince reclusive crime novelist Patricia Highsmith (Jenny Davis) of The Talented Mr. Ripley fame to sign a new contract. A bold move to stage a two-hander at an hour forty five minutes with no intermission in the Heath Ledger. The…

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killers (Owl & Cat) – theatre review

Pain, depression and death  get a working-over in killers. The Owl & Cat’s production is the world premiere of New York playwright Kevin Armento’s work. Miranda’s (Holly Chadwick) earliest memories are destructive thoughts – mayhem, torture and split blood. At primary school she meets and befriends Bobby Barrett (Charles Russell). The pair bond over their collective negativity. In no time, they are dishing…

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