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Autocannibal (Theatre Works)

Imagine you’re the last person alive and all Earth’s resources have been depleted.  Autocannibal explores this premise in a confronting one-person play created and performed by the highly talented Mitch Jones. It’s performance art mashed with circus skills and clowning. Jones is agile, powerful and bold. His character adopts a survival-at-any-cost mentality, with options fast…

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Solaris (Malthouse) – theatre review

Through the centuries, mankind’s tendency has been towards total control. Malthouse Theatre explores that tendency in the sci-fi drama Solaris. The play is a theatrical adaptation of Stanislaw Lem’s philosophical novel about extraterrestrial intelligence. Movie adaptations followed in 1968, 1972 and 2002. Drs Snow (Fode Simbo) and Sartorius (Jade Ogugua) have been on a space…

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Yank – theatre review

Yank was a weekly magazine published by the United States military for its servicemen from 1942 – 1945. It’s the magazine where an awkward young man called Stu (Andy Johnston) partners with photographer Artie (Eli Cooper), who is also ‘light in the loafers’, to report stories. After Stu’s call-up, before he goes off to join…

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Diplomacy (Ensemble) – theatre review

My 1953 edition of Webster’s Dictionary provides this definition of diplomacy: “dexterity; skill; tact; shrewdness in managing affairs of any kind”. And these are exactly the qualities which writer Cyril Gély has so cleverly enshrined in his masterpiece play Diplomacy. Originally written in French, the translation and adapted version by Julie Rose I’m sure has…

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Storm Boy (MTC) – theatre review

Brilliant staging and puppetry mark the MTC’s Storm Boy; a theatrical adaptation of Colin Thiele’s 1964 novel of the same name. The book has also been turned into two feature films, one in 1976 and the other earlier this year. This version remains faithful to the original. Youngster (Conor Lowe) lives in isolation in a…

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