Symbolic contrasts abound within The Curators’ stylish production of Angela Betzien’s Children of the Black Skirt, starting from its initial folly of youthful frolic and then soon-after stark at-attention responses of children in-fear. This establishes both the aesthetic sophistication and the narrative premise of the now-iconic work which is set in an abandoned orphanage that…
In a rare occurrence, the cast of The Curator’s Australian premiere production of The Revolutionists receives audience applause before any members have even spoken a word. It comes, appropriately, in recognition of the show’s bold beginning, which sees its four characters bursting down a fashion runway. While our eyes follow them, another appears in waiting….
Vincent River is not a location; it is the name of the character at the centre of Philip Ridley’s powerful 2000 one act play of the same name that addresses homophobic-based violence, which can really be extended to include violence against any form of difference. However, even with this knowledge, Vincent’s character remains elusive as,…
The Curators’ homage to great Norwegian playwright Henrick Ibsen’s controversial Ghosts is innovative from even the initial moments. Smoke haze meets the audience on entering the Vintage Pop-Up Theatre in Red Hill’s St Barnabas Hall. In opening, characters emerge to move forward towards us from behind a makeshift plastic scrim screen. A menacing soundtrack signals…
