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The Poison of Polygamy (La Boite and Sydney Theatre Company) – theatre review

La Boite Theatre’s first mainstage presentation of 2023, the world premiere co-production of The Poison of Polygamy comes with an array of content advisories. The work, which is recommended for audiences aged 15+ contains descriptions of murder, violence, drug use, sexual activities and references to suicide. The production also contains loud noises and the use…

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Saint Joan (STC) – theatre review

George Bernard Shaw wrote Saint Joan, in 1923, six scenes and an epilogue. Imara Savage, the Director of this production, has ambitiously taken many liberties with the original text. This Sydney Theatre Company production of Saint Joan occupies the stage for one hour and forty-five minutes, straight through, without an interval. A great deal of…

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Going Down (Malthouse) – theatre review

 Going Down gives cultural identity a good old-fashioned pounding. A stellar lead performance provides the highlight of this 90-minute play (no interval). Hmong-Australian playwright Michele Lee (winner of the 2018 Victorian Premier’s Literary Award for Rice) provides the source material. Going Down is one for the “me” generation; the hedonists who would rebel against their past. The…

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Going Down (STC) – theatre review

Going Down by Michelle Lee is a new Australian play. Last year, the Griffin Theatre presented her play, Rice. Natalie Yang (Catherine Davies), a Chinese-Australian, has written her first book, “Banana Girl”, a no-holds-barred sex memoir. No-one is really interested. On the other hand Lu Lu Jayadi (Jenny Wu), an Muslim-Australian from Indonesia, has written…

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Dinner (STC) – theatre review

In the original published text of Dinner – which differs from what we see in this production – Paige (Caroline Brazier), a famous gourmet hostess, invites a group of middle class intellectuals (not aristocrats, as suggested in the program) to a, supposedly, celebratory dinner. The event is to celebrate the successful publication of her husband’s,…

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