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Just Mercy – movie review

Deeply entrenched racism is at the centre of a drama in which the result is never in doubt and the journey is designed to provoke outrage. First up, there is the political issue of a civilised society condemning felons to death.  Regardless of your position on that, it is difficult to feel too much sympathy…

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1917 – movie review

Sam Mendes is a terrific director. American Beauty, Revolutionary Road and the Bond films Skyfall and Spectre all appear on his resume. But he exceeds even those lofty heights with his latest film, 1917. This 2-hour visual and emotional extravaganza cements Mendes’ reputation, and provides a stunning new perspective on the war movie. Much as…

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My Spy – movie review

What started out as cringe-worthy fare became anything but as laughter, hijinks and a cute and savvy youngster’s performance took over and carried the day. Written by Erich and Jon Hoeber (who together wrote RED) and directed by Peter Segal (Second Act), it became a most enjoyable spy spoof. A lot has to do with…

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The Gentlemen – movie review

A brilliant, intricate script, outstanding direction and superb acting by an A-list cast are the hallmarks of The Gentlemen, one of the year’s best films (I know it comes out on 1st January, 2020, but I reckon I am allowed one day’s leeway). It takes concentration to follow the web of deception woven, but the…

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Spies in Disguise – movie review

Killing crooks with kindness. That is the concept behind this original animated feature, which turns traditional methods of spying on its head. Lance Sterling (the voice of Will Smith) is an elite loner – the best of the best, who does things others can’t. Mind you he doesn’t always follow the instruction of the agency…

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Portrait of a Lady on Fire – movie review

Feeling and sensitivity pervade every fibre of the sensual and artistic work by French auteur Céline Sciamma (Girlhood). We’re in Brittany, France in 1760. Slow-moving but compelling, Portrait of a Lady on Fire concerns a secretive and developing relationship between a painter, Marianne (Noémie Merlant) and her subject, Héloïse, (Adèle Haenel), who has just left…

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