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Oracle – theatre review

Zodiac mythology binds together 12 acts that are a fusion of circus, burlesque and dance in Oracle. It is the work of the team behind the award-winning Matador. Pulsating, toe-tapping, beats are the order of the day, along with a cavalcade of colourful and risqué costuming and athletic and acrobatic feats on and above the stage. Among…

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Matador (Her Majesty’s Theatre) – theatre review

A fusion of dance, burlesque and circus, Matador sizzles and bedazzles. The show is characterised by pulsating, ear-pleasing beats, brilliantly choreographed, fast paced routines, superb athletic and acrobatic prowess, a phenomenal array of sensual costuming and outstanding, colourful lighting design. Written, directed and produced by Bass G Fam, Bass used his own life experiences as inspiration for…

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Firestarter – movie review

Not to be confused with the 1984 thriller that starred Drew Barrymore as a young girl who could start fires with her mind – Firestarter is a documentary that looks at Australia’s Bangarra Dance Company, one of the foremost indigenous dance companies in the world. The company was founded in Sydney in 1989 by Stephen…

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Maybe We Could (Kllo) – music review

These cousins from Melbourne, Kllo (rhymes with “flow”) return with a follow-up to their 2017 electro-pop debut, Breakthrough. As described in their bio, the two abandoned recording together late in 2018, following tours that took them around the world twice, unsure about their musical direction and focus. Drawn back together following a period of collaborations…

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The Dinner Party – dance review

Premiering to rave reviews in 2015, The Dinner Party (former title The Host) is a gripping contemporary dance work from Queensland’s award-winning Expressions Dance Company. And in its 2019 reincarnation, the work, which is choreographed by internationally renowned choreographer and former Artistic Director Natalie Weir, has audience members once again absorbed, from the very first frame…

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