In story, Swallow is about when strangers cross paths. Thematically, however, the work gives audiences so much more to contemplate. And the result is a challenging but rewarding experience thanks to the excellent execution by all involved in the production.
Hermitted in her home, Anna (Elise Greig) is in need to focus, frenetically completing self-decided projects in search for peace, yet yearning to travel to places she will never go. For her, going crazy is busy business, especially when you’ve been shut up inside for a couple of years and who said smashing things up was a bad thing anyway? In an apartment somewhere below her, Rebecca (Julie Cotterell) is recovering, both physically and emotionally, from a nasty breakup with an arsehole ex, comfortable in her pain.
Then there is Sam (Helen O’Leary), who has found identity but not acceptance. While each is struggling, having been smashed up by life, in discovery of each other, they just might be able to save one another.The journeys of each of the three characters are fragmented, but as an audience we still engage with them, because of, rather than despite their flaws. This is thanks to the outstanding performances of all three cast members; their performances are so riveting to watch that we become invested in their stories even from the play’s enigmatic start.
Staging is sparse but detailed with jumbles of broken materials around each character’s initial space. Things are not static, however, with each character constantly moving, even when not directly involved in a scene. Lighting design builds from darkness in support of this, using shadows to create interesting shapes, which works with the appropriately evocative soundscape to create a memorable aesthetic. Everything is beautifully deliberate as character stories slowly intersect. Poetic monologues parallel and intersect through common and revisited metaphors and motifs of isolation and fragmentation of items and understandings alike, established in initial scenes before narrative interconnection is appreciated.
Stef Smith’s writing is dense but also lyrical in is creativity and Kate Shearer’s directorial decisions are so detailed as to desire a further viewing to appreciate all of the nuances of choice, like to have fragile feathers falling as snow in reference to earlier dialogue mentions. Indeed, Swallow takes audiences to unexpected and unique places in its share of relevant messages around the importance of real relationships and the quality contemporary connectivity that lies elusively behind closed doors and smartphone screens.
In its clever storytelling and reminder to the person reflected in our mirrors to blink and breathe, Swallow provides a wonderful message for audiences to take away. Its holistic approach to storytelling and all-round excellent execution, make it a modern tale that everyone should see as reminder that theatre, like people, is not homogenous, and is all the better for it.
Venue: Metro Arts
Dates: 25 May – 3 June
Meredith Walker
For more of Meredith Walker’s theatre reviews, check out Blue Curtains Brisbane.
Other reviews you might enjoy:
- From Darkness (La Boite) – theatre review
- Bouncers (heartBeast) – theatre review
- Bogga (QSE) – theatre review
David Edwards is the editor of The Blurb and a contributor on film and television
