A delightful combination of words and music. Such is the heartwarming representation of Jane Austen’s romantic novel in a decidedly different, but nevertheless compelling, form. Since it was anonymously published in 1813 and well received by critics and readers, the book has never been out of print. It is feted as a classic of English literature, a work that gave women a voice.
Written with wit and a keen eye by the then 22-year-old Austen in 1796/97, it centres on the relationship between Elizabeth Bennet and Mr Darcy. Set in rural England at the turn of the 19th century, Bennet is one of five daughters and Darcy a rich, aristocratic landowner. At the time, when the class divide is writ large and women are beholden to men, Darcy is considered above Elizabeth’s station. Mind you, her view of him also takes a turn as the plot unfolds.
The first 25 minutes of this 85-minute production is spent on an enthusiastic introduction by acclaimed violinist Madeleine Easton. She plays alongside accomplished pianist, a rising star on the ivories, Daniel Le. Easton provides welcome context, praising Austen’s resolve and pointing to Austrian Franz Schubert as inspiration for composer Carl Davis’ score. That is drawn from the 1995 Pride and Prejudice TV mini-series.
Easton and Le proceed to play music from Shubert, Beethoven (who lived and worked in the same era) and that common to grand balls, popular at the time. Then the incomparable Nadine Garner enters, dressed elegantly in period clothing, and begins to entertain with a master class of poise and showmanship. In her hands is a large book, Pride and Prejudice with musical accompaniment.
Carrying herself with distinction and with magnificent expression throughout, Garner weaves the tale from the beginning. That is when Mrs Bennet would like nothing more than to marry off her daughters. Key plot points are met by Garner with turns to the audience, a smirk, scowl or exhortation, as appropriate. In so doing, she owns the piece. As part of the realism that she brings to bear, she prizes opens and reads letters, as the narrative unfolds.
Gill Hornby has done beautifully with her adaptation. The drawing room setting is perfect – a photo of Jane Austen prominent among framed pictures (and a few frames without pictures) on a jet-black wall. There are few more on a sideboard beside an imposing grand piano. As a nod to the Regency period in which Pride and Prejudice is set, we have a well-appointed chaise lounge and small wooden writing table and chair. Mikhailah Looker is the set and costume designer who makes quite a statement.
Director Tyran Parke has done a mighty job crafting a very special version of Pride and Prejudice. This adaptation in words and music is on at Fairfax Studio, Arts Centre Melbourne until 6th October, 2024.
Alex First
Other reviews you might enjoy:
- A Little Night Music – theatre review
- The Almighty Sometimes (MTC) – theatre review
- Photograph 51 (MTC) – theatre review
Alex First is a Melbourne based journalist and communications specialist. He contributes to The Blurb on film and theatre.