Although Please Stand By is a fairly predictable film and endeavours to strike a sensitive nerve, I’m all for such a type of film. The number of films about individuals with a disability who try to survive in our society where perfection is the standard nowadays, and who succeed in making great achievements, is endless. I am Sam, Forrest Gump, Rain Man, and The Theory of Everything are but a few. These are all films where one feels sorry for the main character first. And after a while, you realise that they surpass all expectations and amaze themselves about their own abilities. Just like Wendy (Dakota Fanning), who suffers from a severe form of autism so that communicating is a huge obstacle and her daily life is determined by a strict schedule. Handing in a self-written script for a Star Trek episode, however, ensures that this well-ordered and well-defined life is shaken up.
All due respect to Dakota Fanning. The way she played this complex character deserves all praise. She distanced herself from all the possibilities available to portray Wendy with all possible tics and ridiculous rituals. Also, the phenomenon of autism was not unnecessarily enlarged by her. Apart from the compulsive writing down of all kinds of facts in her notebook and the pattern of colorful sweaters she’s wearing on specific days, she seems to function reasonably normal. Not as Freddie Highmore who plays a similar character in The Good Doctor with a forced intonation making him sound like a voice computer with incorrectly installed software. And yes, I know the spectrum of autism is fairly broad. But I appreciated the modesty with which Dakota Fanning played Wendy.
Also Toni Collette (Miss You Already) played a not-so-bad part as Scottie who leads the home where Wendy lives. A patient and passionate person who guides each individual in this center and tries to point these individuals the right way towards a bearable personal life. It wasn’t immediately clear to me whether Scottie was her real name or a kind of a joke because of Wendy’s passion for the TV series Star Trek. Frankly, I felt that all other characters fulfilled their job in an orderly manner. The fact they came across as plain add-ons is entirely due to the beautiful acting of Dakota Fanning of course. The entire film shows how Wendy’s trust grows and she shifts her own boundaries (even if it’s just crossing a specific street).
Please Stand By is not primarily about how autistic people handle themselves and how confusing their view on life is. The subject isn’t really thoroughly explored or explained in this area. I can’t even remember the word autism being pronounced once. Only a brief remark by a devout, old female about her grandson who displays an identical behavior. It’s actually a kind of adventurous quest with the ultimate goal of delivering the film script. And so Wendy needs to follow a path, completely normal for average people, where she meets a lot of people with bad intentions. And each time she’s saved by caring persons. Almost something like Frodo and that damn ring he had to throw in Mount Doom. Also a risky quest full of obstacles and devious creatures. But then without the autism phenomenon.
Finally, big applause for the dog Pete who accompanies Wendy the whole way. They looked like Dorothy and Toto heading for the Wizard of Oz. Fortunately, the duo wasn’t as annoying as Reese Witherspoon and her little pooch in a pink outfit in Legally Blonde. And the most surprising moment was when a policeman talked to Wendy in a very remarkable way. But you have to discover that yourself when you watch this engaging and charming film.
P.S. If the script “The Many and the Few” really exists, I hope it’ll become a real film. The fragments of text that were read sounded intriguing!
Please Stand By is now available to rent or buy via GooglePlay, YouTube or Apple Store
For more of Peter Pluymers’ movie reviews, check out Opinion as a Movie-Freak
Other reviews you might enjoy:
- At First Light (movie) – streaming review
- Thoroughbreds – streaming review
- Zoe – home entertainment review
David Edwards is the editor of The Blurb and a contributor on film and television