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Miss Peony (touring) – theatre review

What a delightful, joyous and life affirming hoot Miss Peony is. It concerns the fractious relationship between Chinese grandmother Adeline (Gabrielle Chan) and her 26-year-old granddaughter, Lily (Stephanie Jack). In her heyday, Adeline won umpteen beauty contests in her native Hong Kong and is still feted for her achievements all these years later. Lily is an all but…

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Mortal Kombat – movie review

Brutality, cynicism and tongue-in-cheek humour mark Mortal Kombat – a video game franchise turned big screen fight night. The story thread begins with an ancient fight to the death. It is 1617 in Japan. A warrior and father of two carries a tattoo of a dragon. He confronts an opponent who can literally freeze people…

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Chaos Walking – movie review

Chaos Walking is a science fiction action adventure set on a distant planet known as New World in the year 2257. The male settlers are constantly bombarded with the thoughts of others in the settlement. These take the form of an unrelenting cacophony of sounds and visions, called The Noise. It drove the men insane…

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    Trial and Error – television review

    Who doesn’t love John Lithgow? I mean, Third Rock from the Sun – glorious. The elder statesman of comedy and poster boy for amiable kooks everywhere still pops up with great regularity on both the big and small screens, even at age 71. So his new show Trial and Error (now airing on the 7…

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    Tom & Jerry – movie review

    The popular cartoon characters Tom and Jerry were created by Hanna-Barbera in 1940 and featured in some 161 short animation films between 1940 and 1958. The pair and their hijinks also became a staple of Merrie Melodies and Saturday afternoon matinees. A previous attempt to bring the characters to life on the big screen in…

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    Downhill – movie review

    Swedish director Ruben Östlund’s film Force Majeure (2014) marked his arrival as a filmmaker of note. Americans Nat Faxon and Jim Rash wrote the screenplay for The Descendants (2011) and directed The Way Way Back (2013). But it seems the European sensitivities of Östlund’s film have been a little lost in translation in Faxon and…

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