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Battle of the Sexes – movie review

In 1973, former Wimbledon champion Bobby Riggs played women’s champion Billie Jean King in a spectacular tennis match – dubbed the Battle of the Sexes – at the Houston Astrodome. Riggs was also a serial tennis hustler, gambling addict and sexist braggart. It proved a landmark that ultimately had repercussions for the status of women’s tennis and…

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Hay Fever – theatre review

Slapstick humour abounds in MTC’s revival of Noel Coward’s outrageous comedy Hay Fever. Set in an English country house in the 1920s, the play deals with the four eccentric members of the Bliss family and their outlandish behaviour. Each invites a guest to spend the weekend, without initially telling the others. Sorel (Imogen Sage) and…

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An Octoroon – theatre review

An octoroon is a person who has one-eighth black heritage. This now-politically-incorrect titular understanding is at the centre of Queensland Theatre’s An Octoroon we are told in a meta-theatre pre-emptive explanation of the Act Four function in melodrama. The clarification is not necessary, but appreciated given all that is going in American writer Branden Jacobs-Jenkins’…

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Beatriz at Dinner – movie review

Discomfort underpins Beatriz at Dinner, a fable about power, privilege and responsibility. At an elegant dinner party in a swanky hilltop home, conversation between a soft spoken holistic healer and a hard-nosed businessman and tycoon explodes into a bitter clash of cultures. Beatriz (Salma Hayek), a self-effacing and spiritual immigrant from Mexico, has spent her adult…

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Indivisible – movie review

Exploitation and heartache are at the centre of Indivisible, a gritty story about attractive, singing 18-year-old conjoined twins. Connected at the hip, Daisy (Marianna Fontana) and Viola (Angela Fontana) are gifted. They have beautiful voices and often sing at local weddings, family functions and communions. Their father, a seedy, small-time businessman, has turned them into an…

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As You Like It – theatre review

A little over a year ago, the Victorian government was presented with the idea of building a full-scale working replica of Shakespeare’s theatre, the second Globe, to be filled with a festival of the Bard’s masterworks. The concept from founder and artistic director Dr Miles Gregory and executive director Tobias Grant originated a year before…

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