Poppycock and balderdash. That sums up the theatre of the absurd production that is Bladderwrack at Theatre Works’ Explosives Factory. It is errant nonsense – a fruit loop pantomime with a few operatic interludes. Inspirations include Spike Milligan and The Goon Show, so we shouldn’t be surprised. Bladderwrack starts with some light-hearted banter and audience…
Spiral: From the Book of Saw is the ninth film in the Saw universe, and an attempt to reboot a franchise long thought moribund. It’s been over a decade since the torture porn franchise came to a conclusion with Saw: The Final Chapter, although there was the disappointing attempt at a belated reboot with 2017’s…
Honour is at stake in Verdi’s powerful opera Ernani, which features a surfeit of rich, rounded and redolent performances. The music is superb, rousing from the magnificent opening chorus number (with many more to follow), not to overlook a series of emotional arias. The first half, in particular, I found strikingly impactful. The action takes place…
Featuring a live band and ten sexy performers, A Very Naughty Christmas is the holiday comedy event you didn’t know you had to experience. With festive classics as you’ve never heard them before, this show is bound to get you into the holiday spirit. And back, as it is, for its fifth helping, it really…
This is an unnecessary remake of the 1982 horror film of the same name, and it shows that Hollywood studios are basically lacking in originality and imagination. While this remake basically adheres to the story of the original it adds little beyond some CGI special effects and modern touches. The original film was written by…
Australian crime author Sulari Gentill is probably best known for her historical Roland Sinclair series. But as her 2018 Ned Kelly Award winning novel Crossing the Lines (also known as When She Wrote Him) showed, she is not above a little meta-textual playing around. In Crossing the Lines, a woman writes a crime novel in…
This grim but atmospheric drama about guilt, grief, redemption and revenge, and dysfunctional families marks the feature film directorial debut for Grant Scicluna, whose short film The Wilding has been racking up awards at film festivals around the globe. The film centres around James (played by Reef Ireland, from Scicluna’s The Wilding), who has been…
Ambition and success sometimes don’t go hand-in-hand. With a heavyweight pedigree and intellectual heft, George Clooney’s latest, Suburbicon, should (by rights) be up there with his best. Yet this undoubtedly ambitious but deeply flawed film dallies with greatness without ever fully achieving it. With the backing of the Coen brothers and Clooney’s go-to collaborator George…
OK, first things first. If you haven’t seen the first season of How to Get Away with Murder but want to, read no further. Here be spoilers. So, at the end of season 1 we discovered that 1) Frank (Charlie Weber) killed Lila at the insistence of Sam, now-dead husband of Annalise (Viola Davis); 2)…
There have been at least three great music documentaries this year – Amy Berg’s insightful and comprehensive Janis Joplin: Little Blue Girl; Ron Howard’s The Beatles: Eight Days a Week, which was a comprehensive look at the band during the height of their early fame in the mid 60s; and Gimme Danger, Jim Jarmusch’s look…
