Absurdist and existential, Samuel Beckett’s Happy Days is a play strictly for selective tastes. That is not to overlook Judith Lucy’s stellar performance in it, rather it reflects my opinion that it will be admired by some and frustrate others. It is about the passing of time and the impact it has on us as we…
Colossal is one bizarre film, and this low budget effort serves us a weird mash-up of sci-fi, Korean kaiju style monster movie, romantic comedy and domestic drama. Gloria (played by Anne Hathaway) is an insecure and self-destructive alcoholic on the verge of a nervous breakdown. Following her breakup with her increasingly frustrated career-obsessed boyfriend Tim…
If you have a dim view of the legal profession, Consent will only confirm what you always suspected. Apologies in advance to lawyers and barristers out there. Unfortunately, you are not portrayed as the great defenders of justice in this rivetting, cutting but thoroughly entertaining glimpse into the legal world. There is a lot of…
What a hoot! Featured performer Jay James-Moody, the artistic director of Squabbalogic Independent Music Theatre, has adapted (to the present day) and directs the musical play by Alan Jay Lerner to great effect. Dr Mark Bruckner (Blake Bowden) is a strictly evidence-based psychiatrist who has recently lost his wife. Returning to practice, he has a chance meeting…
– Love The Coopers – Only in cinemas from 26 November 2015 We have 10 double in-season passes thanks to eOne Films. *(Tickets valid in Australia only)* Watch the trailer HERE The holiday season comes but once a year – and that’s more than enough for the Cooper family. In this hilarious and heartwarming…
She’s rude, belligerent and overbearing, and proud of it. She’s crippled and ailing, drinks like a fish and has been a war photographer. She’s Ruth (Charlotte Rampling), a straight-talking English woman, and the central character in Matthew Saville’s film Juniper. It’s 1992. Ruth is visiting her son Robert (Martin Csokas) and grandson Sam (George Ferrier)…
A suspenseful horror film from director John Krasinski (best known for his work on the US version of The Office), A Quiet Place is also as scary as hell. Not since last year’s Don’t Breathe has the use of silence been such an effective and potent cinematic tool for creating edge of the seat tension….
With its preposterous storyline, Tales of Hoffmann Ooh La La is an energetic mix of opera contemporised with modern references mashed with popular tunes … and it’s a beauty. Full of colour, drama and skulduggery, above all this Parisian jazz burlesque interpretation of Jacques Offenbach’s opera, which premiered in France in 1881, is fun. When…
Jennifer Garner returns to the big screen in Peppermint. This by-the-numbers crime actioner features a vigilante seeking revenge. I counted one surprise in the entire film. The criminal justice system fails Riley North (Garner). She and husband Chris (Jeff Hephner) have a 10-year-old daughter, Carly (Cailey Fleming). While they may be struggling to make ends…
Trap is the latest film from M Night Shyamalan and, like so much of his oeuvre, it’s driven by an intriguing premise. But as with so many of his previous films it begins to lose momentum and credibility, especially during the unnecessarily drawn out third act. The film opens with Cooper Adams (Josh Hartnett), a…
