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Tosca (Opera Australia) – opera review

Power, passion and subterfuge make for a heady cocktail. And so it is in Opera Australia’s Tosca. It is a compelling thriller with a great deal of bite, being staged at Margaret Court Arena because the State Theatre is closed, while undergoing a three-year upgrade. Amidst the unrelenting drama, stirring arias and evocative set design predominate. With…

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Away (MUST) – theatre review

It is the summer of 1967. Young Australians are being drafted to serve in the Vietnam War. Back home, life continues. Tom (Patrick Leong) and Meg (Grace Jackson) are in a high school production of Shakespeare’s A Midsummer Night’s Dream. Tom takes a fancy to Meg and engages her in awkward conversation. When their respective…

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Suspiria – movie review

As the director of delicate human dramas like Call Me by Your Name, Luca Guadagnino probably wasn’t the obvious choice to direct a remake of Dario Argento’s blood-spattered cult favourite, Suspiria (1977). But that’s exactly what he’s done and the results are impressive. Guadagnino hasn’t gone for a straight remake. This is a marked departure…

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Seven Methods of Killing Kylie Jenner (La Boite) – theatre review

Award-winning British playwright Jasmine Lee-Jones’ provocatively-titled Seven Methods of Killing Kylie Jenner appropriately begins in iPhone lighting. Newly-single student Cleo (Moreblessing Maturure) is lying in bed scrolling through Twitter when she comes across Forbes Magazine’s problematic AF celebration of Kylie Jenner as a ‘self-made billionaire”. Under the username @incognegro, she sets about getting Jenner cancelled…

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Spider-Man: No Way Home

Spider-Man: No Way Home surprises, shocks and delights. It takes a trip down memory lane but remains a love story between Peter Parker (Tom Holland) and MJ (Zendaya). Spider-Man’s mentor Dr Strange (Benedict Cumberbatch) also plays a central role. And the film introduces the idea of the Marvel multiverse – a collection of alternative universes,…

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Little – movie review

The painfully unfunny Little is a variation on the body-swap formula that drove films such as Big and Suddenly 30. There’s little about this dud to recommend it to audiences. Jordan Sanders (Regina Hall) was a nerd when at school. But twenty years later, she’s a high-powered millionaire. Jordan has become a ruthless, work-obsessed executive…

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