The Melbourne International Film Festival screens until August 20. Here are a few highlights from the first week of the festival.
CALL ME BY YOUR NAME
Call Me By Your Name is a sensitive coming of age story set in a sun-drenched rural part of Italy in the 1980s and it deals with themes of adolescence, obsession, desire, repressed sexuality, infatuation and identity. It is based on the best-selling 2007 novel by Andre Aciman, and has been sensitively adapted to the screen by James Ivory, best known for his work with Ishmail Merchant. Elio Perlman (played by Timothee Chalamet, who played Matthew McCounaughey’s son in Interstellar) is the bright and curious 17-year old son of respected archaeologist (Michael Stuhlbarg). His days are spent reading, swimming and transcribing music, but it is a fairly dull and routine existence. Every summer an intern comes to stay with the family and work with his father. This year it is Oliver (Armie Hammer), a handsome and charming American. Elio finds himself drawn towards Oliver. It takes some time before the two realise they feel the same and eventually begin to act on their desires. Over the course of the summer their relationship becomes more intense and intimate. Call Me BY Your Name is the new feature from Italian director Luca Guadgnino, and is the follow up to A Bigger Splash, and it is his most mature, tender and restrained work to date. As with his previous film, a lot of the action here takes place near water – be it a swimming pool, the ocean, or a lake – which acts as a metaphor for the fluidity of life.
A PRAYER BEFORE DAWN
This intense brutal prison drama is like Kickboxer meets Midnight Express. This unflinching, hard hitting and gritty and harrowing true story is set inside Thailand’s notorious Bang Kwang Central prison, better known as the infamous Bangkok Hilton. Like Midnight Express, which depicted Billy Hayes’ ordeal after being arrested and imprisoned for smuggling drugs in Turkey, A Prayer Before Dawn is based on the 2014 memoir written by expat Brit Billy Moore (played by Joe Cole, from TV series Peaky Blinders) detailing his experiences. Moore ekes out a living on Bangkok’s mean streets as a street fighter and small-time drug dealer, until he is arrested and imprisoned in one of Thailand’s toughest prisons. Confined to a crowded cell which he shares with heavily tattooed thugs, and living in squalid, filthy conditions, Billy often fears for his own safety. Down and dirty fights, gang rape, drugs, corruption are rife inside the prison where cigarettes are traded for favours. He survives his ordeal when he joins the prison boxing team and becomes a champion Muay Thai boxer. He also manages to maintain some vestiges of his humanity through a mutual attraction to ladyboy inmate named Fame (played by Pornchanok Mabklnag).
GOOD TIME
The low-budget indie crime drama Good Time is the latest film from the Safdie brothers (Benny and Joshua), whose films like Daddy Longlegs often explore the struggles of losers who live on the edges of society. This is a gritty and downbeat black comedy and heist drama with plenty of energy.
Connie Nikas (played here by Twilight’s Robert Pattinson, cast against type) is a small time crook who robs a bank with his mentally handicapped brother Nick (played by director Benny Safdie). But Nick is caught and sent to Rikers. While Connie desperately tries to raise the $10k money for his bail, Nick is badly assaulted and ends up in hospital under police guard. Connie sneaks into the hospital to rescue him but in a case of mistaken identity he takes another heavily bandaged prisoner inside. Connie spends the rest of the night on the run as he tries to reconnect with his brother. Connie has to travel with Ray (Buddy Duress) and Crystal (Tallah Webster) a 16-year old black girl whose grandmother tries to help Connie. A series of bad decisions lead him from one awkward situation to another.
Connie is a loose cannon who lurches from one bad situation to another and his sense of desperation grows. This is a strong performance from Pattinson who is cast against type and almost unrecognisable here with his beard, his tough swagger and his bleached blonde hair. Like his Twilight co-star Kristen Stewart, Pattinson seems to be making some interesting choices, and this is one of his best performances, more gutsy and uncharacteristic. The strong cast also includes a cameo from Jennifer Jason Leigh as Connie’s girlfriend Corey, and Captain Phillips star Barkhad Abdi as a hapless security guard at a theme park. Safdie himself brings a naivete and vulnerability to his performance as the damaged and psychologically scarred Nick.
NOTHINGWOOD
America has Hollywood, India has Bollywood, and Afghanistan has Nothingwood. Afghanistan has no film industry to speak of, and a lack of finance and experience for filmmaking. Despite that though, self-made filmmaker Salim Shaheen has been making movies for thirty years. Shaheen was interested in the cinema from a young age, and was often beaten by his brothers for sneaking off to the cinema. Dubbed the “Ed Wood of Afghanistan”, he is a prolific filmmaker, who has made over 110 films in his career. His movies are basically amateurish c-grade action adventures that seem largely improvised and are full of action, fights, and shot on little to no money.
The documentary is a look at the power of cinema to sometimes transform lives. We also meet his scriptwriter Zaki Entizar and his regular actor, the effeminate Qurban Ali, who often plays the female roles forbidden to female actors. Cinematographer Alexander Nanua (Toto and his Sisters) captures the stark vistas of regional Afghanistan. However, the film is a little too long and repetitive. There is very little insight into Shaheen or the Afghan film industry itself. The documentary The Flickering Truth was far more revealing.
JUNGLE
The opening night film for MIFF was generic survival thriller Jungle, directed by Greg McLean, which is based on the true story of Israeli adventurer Yossi Ghinsberg’s ordeal when he became lost in the Bolivian jungle for three weeks. His ordeal was detailed in his book, which was adapted for the screen by script writer Justin Mungo (Spear).
In October 1981, Ghinsberg (Daniel Radcliffe) was backpacking through South America when he joined American photographer Kevin (Alex Russell, from Goldstone) and wimpy teacher Marcus (Joel Jackson) to journey inland. With their guide, the enigmatic Karl (Thomas Kretschmann, from The Pianist), they set out for an adventure. But after a frightening experience with river rapids, the party split up, with Yossi and Kevin electing to continue the journey along the river. Karl and Marcus decided to go overland. Eventually Yossi and Kevin became separated, and for 19 days Yossi wandered through the jungle, enduring starvation, bad weather, creepy crawlies, hardships and even hallucinations.
The film has been shot on location in Colombia and Bogota, which lends authenticity to the experience, as well as in rainforest near Queensland’s Mount Tamborine and the Warner Bros studios on the Gold Coast. Stefan Duscio’s widescreen cinematography captures the natural beauty of the locations, and enriches the film’s visuals in much the same way he enlivened Canopy. He uses lots of hand held camera work to immerse us in the white-water rafting sequences. Some of the white-water sequences will remind audiences of the classic survival thriller Deliverance, and will develop a certain sense of anticipating the worst, which never quite comes to eventuate.
Greg King
Other reviews you might enjoy:
- Good Time – movie review
- A Prayer Before Dawn – movie review
- Brisbane International Film Festival 2017 – preview
David Edwards is the editor of The Blurb and a contributor on film and television