The action is set in a remote estate on the Yucatan peninsula where French exile Doctor Moreau creates human/animal hybrids. Moreau is financially backed by a wealthy benefactor who believes the hybrids, once successful, can be used as a replacement workforce. Moreno-Garcia’s version of this story is narrated in two voices. Carlotta, Moreau’s eponymous daughter, who was sickly as a child and has lived all of her life on the remote estate. Carlota has helped her father with his research and to care for the disparate group human/animal hybrids that he has created.
The second point-of-view character is Montgomery Laughton, an Englishman who comes to the estate as the new major domo in 1871. The main action is set six years after Laughton’s employment, when the son of Moreau’s benefactor comes to visit and falls for Carlota. Moreau has a plan from her to marry so that his financial future might be secure and she does fall for him. But the imposition of strangers into the world of Yaxaktun leads to a chain of events that can only end in conflict.
Like Mexican Gothic, The Daughter of Doctor Moreau is a slow, atmospheric build with engaging characters in a beautifully described landscape, with some very real historical detail of conflict in the Yucatan baked in to the story. Despite the science fiction trappings this is a book set firmly in a real place and time, shining a light on another aspect of Mexican history and the ongoing impacts of colonisation and its inherent racism.
The seeds of eventual revelations are carefully laid as the tale progresses. This slow build also allows readers to really understand Carlota and Montgomery before the two are put to the test. As with all of Moreno-Garcia’s works, while there is plenty of fantasy and mayhem, it is this central relationship, and all of the heightened attachments between the characters, that drive the story and likely to keep readers hooked.
Moreno-Garcia showed in The Beautiful Ones her love of period tales, although its milieu was slightly more fantastical. In The Daughter of Doctor Moreau she takes a story written in the late nineteenth century and recasts it, reinterprets it, grounds it and in doing so delivers something familiar and classic but at the same time very modern.
Robert Goodman
For more of Robert’s reviews, visit his blog Pile By the Bed
Other reviews you might enjoy:
- Velvet Was The Night (Silvia Moreno-Garcia) – music review
- The Bullet Swallower (Elizabeth Gonzalez James) – book review
- Providence (Max Barry) – book review
Robert Goodman is a book reviewer, former Ned Kelly Awards judge and institutionalised public servant based in Sydney. This and over 450 more book reviews can be found on his website Pile By the Bed.