Magnificent, rich, rounded voices against the backdrop of musical excellence. Clarity of sound, stunning solos, delicious duets and rousing three-part harmonies. But wait. There is more. The six artistes that take to the stage at the Regent Theatre are all leading performers who have fronted the biggest musicals. I speak of The Phantom of the…
What a privilege it was to be in the audience at the Regent Theatre to celebrate all that is grand in opera, at Opera Australia’s 70th Anniversary Gala. Indeed, it was a very special occasion, introduced by Opera Australia’s CEO, Alex Budd and hosted by ABC Classics’ Mairi Nicolson, resplendent in green. Her love affair…
The full glory and emotional heft of Giuseppe Verdi’s fraught and dramatic love story La Traviata is magnificently captured by Opera Australia. I am in awe of the spine-tingling efforts of Australian/Mauritian soprano Stacey Alleaume, who is utterly captivating in the lead role. Her rich and rounded vocal tone reaches remarkable heights in a bravura…
Grand performances, stunning staging and striking costuming characterise a musical adaptation of the 1997 animated film of the same name. The story concerns a legend surrounding the Grand Duchess Anastasia Nikolaevna of Russia. The tale begins in St Petersburg in 1906 when the Dowager Empress Maria Feodorovna Romanov (Nancye Hayes) bids farewell to her youngest…
Imagine losing the love of your life on your wedding night, only to have the chance to win her back from the underworld, subject to strict conditions. Surely, you’d back yourself. But wait, the story gets much darker because although you and your wife are reunited, the conditions are too much to bear. In short,…
I can’t speak highly enough of the comic might of Gioachino Rossini’s The Barber of Seville (with libretto by Cesare Sterbini), as performed so adroitly by Opera Australia. If you have not seen this hilarious opera, let me draw a comparison to the cleverness inherent in arguably the finest popular British TV comedy Fawlty Towers….
What a great talent this man is. Reuben Kaye headlines a bawdy show to remember, introducing three Australian Opera headliners in the camped-up Opera Up Late. Making its first appearance in Melbourne, it has been a staple in Sydney since it was conceived by Kaye and award-winning director Shaun Rennie for WorldPride in 2023. It…
What a glorious production of Sir Kenneth MacMillan’s choreographed Manon, which showcases all that is great about ballet. Featuring artists of The Australian Ballet with Orchestra Victoria, under the baton of Charles Barker, the staging is inspired, the costuming magnificent and the dancing sublime. Based on Abbé Prévost’s 1731 novel, love is pitted against money,…
Creative excellence and supreme artistry are the hallmarks of three short works that constitute The Australian Ballet’s new production, Prism. The trio is decidedly modern, starting with Jerome Robbins’ Glass Pieces. It starts with urgency, as people wearing striking pops of colour criss-cross one another, as they walk purposefully across the stage. Interspersed with that…
So much fun. Eddie is just perfect (bad pun for lead Eddie Perfect) as the smelly old demon Beetlejuice, in the riotous musical of the same name. Beetlejuice is bemoaning the fact that he is invisible and ignored by all unless he can get a living person to say his name three consecutive times. He…
