Love, envy and illness are a heady mix in Opera Australia’s lavish new staging of one of the most popular operas ever written. Set in Paris, the bittersweet story, which lurches from comic to tragic, is compelling under the watchful eyes of impressive director Constantine Costi. The music. The voices. The realisation. It is so…
Balletic excellence and stunning beauty characterise The Stuttgart Ballet’s adaptation of the classic fairytale popularised by the Brothers Grimm. With choreography by Marcia Haydée, after Marius Petipa, she and artistic director Tamas Detrich have crafted something quite delightful. It premiered in Stuttgart in May 1987. Unfolding in three acts, with two intervals, the first involving…
There is so much joy in Pretty Woman: The Musical. I adore what the collaborators have done with the beloved story of the Hollywood sex worker and the wealthy businessman. It is based on the 1990 feel good romance, written by J. F. Lawton and directed by Garry Marshall, starring Julia Roberts and Richard Gere….
Colour, movement and music to delight the senses. Modern balletic dance at its finest. A work of sublime beauty and integrity that has 30 captivating dancers entrancing the audience from a blank canvas. Save for lighting differentiation and enthralling music, their backdrop is an open stage. All the more reason to admire their endeavours. As…
The Australian Ballet’s glorious retelling of the classic Shakespeare tragedy Romeo and Juliet is colourful, powerful and passionate. This is a step back in time to wealthy, medieval Verona, where rivalries explode and danger lurks. The innocence of first love is shattered through the antipathy of the Montagues and the Capulets. The interpretation we witness…
Magnificent, rich, rounded voices against the backdrop of musical excellence. Clarity of sound, stunning solos, delicious duets and rousing three-part harmonies. But wait. There is more. The six artistes that take to the stage at the Regent Theatre are all leading performers who have fronted the biggest musicals. I speak of The Phantom of the…
What a privilege it was to be in the audience at the Regent Theatre to celebrate all that is grand in opera, at Opera Australia’s 70th Anniversary Gala. Indeed, it was a very special occasion, introduced by Opera Australia’s CEO, Alex Budd and hosted by ABC Classics’ Mairi Nicolson, resplendent in green. Her love affair…
The full glory and emotional heft of Giuseppe Verdi’s fraught and dramatic love story La Traviata is magnificently captured by Opera Australia. I am in awe of the spine-tingling efforts of Australian/Mauritian soprano Stacey Alleaume, who is utterly captivating in the lead role. Her rich and rounded vocal tone reaches remarkable heights in a bravura…
Grand performances, stunning staging and striking costuming characterise a musical adaptation of the 1997 animated film of the same name. The story concerns a legend surrounding the Grand Duchess Anastasia Nikolaevna of Russia. The tale begins in St Petersburg in 1906 when the Dowager Empress Maria Feodorovna Romanov (Nancye Hayes) bids farewell to her youngest…
Imagine losing the love of your life on your wedding night, only to have the chance to win her back from the underworld, subject to strict conditions. Surely, you’d back yourself. But wait, the story gets much darker because although you and your wife are reunited, the conditions are too much to bear. In short,…
