Helen Garner’s semi-autobiographical 2008 novel about the hell of offering a spare room to a good friend with stage four cancer resonated strongly. It collected a series of gongs, including Victorian and Queensland Premiers’ Literary Awards and the Barbara Jefferis Award. And now, following five years of work, composer Dr Jane Hammond and librettist Theresa…
Unquestionably dark and haunting, Benjamin Britten’s The Turn of the Screw paints a devastating picture of distress and, possibly, madness. It concerns a governess appointed to look after two orphaned children on the strict condition that she never contact their guardian, an uncle too busy to take care of them. Apprehensive about taking on the…
The drama. The pathos. Melbourne Opera’s production of Giuseppe Verdi’s Il Trovatore sizzles and crackles with feeling. With an empty stage, save for a simple wooden platform, it is left to the performers, with the aid of the odd prop, to do the heavy lifting and they do so with distinction. It is an emotion…
Melodic, witty, satiric and joyfully absurd, dramatist W.S. Gilbert and composer Arthur Sullivan collaborated on 14 comic operas between 1871 and 1896. Among the best known are H.M.S. Pinafore, The Pirates of Penzance and The Mikado. Music from these, I am pleased to say, was prominent in Opera Australia’s glorious celebration. Gilbert and Sullivan pioneered…
A beaut way for the young to be introduced to opera in the company of loved ones. That is the key to the success of The Magic Pudding: The Opera, an operatic adaptation of Norman Lindsay’s 1918 children’s classic. The story concerns thievery of a cantankerous magic pudding named Albert. He is a walking, talking…
