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Defoe’s Plague (La Mama) – theatre review

Daniel Defoe (born Daniel Foe) may well have been the first English novelist. At least that is the contention in the play Defoe’s Plague, which starts with a man in a thin, eerie, long nosed mask performing an incense cleansing. The head covering looks like that worn by doctors in bygone days and intended to protect them…

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Hydra (QT/STCSA) – Theatre Review

It’s been a long time since I have read George Johnston’s 1964 Miles Franklin Award-winning My Brother Jack. However, through the lens of undergraduate literary-study nostalgia, I still recognise the seminal Australian novel’s place as part of our country’s canon, despite its challenge to our comfortable assumptions of national character. Still, like many I imagine,…

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