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Jeanne du Barry – movie review

A sweeping period drama, Jeanne du Barry covers the rise and fall of the eponymous mistress to a former French king. The real Jeanne du Barry was born Jeanne Bécu in 1743; the illegitimate daughter of a monk and a cook, brought up by her mother. In the film, Jeanne’s (Maïwenn) road to the king’s…

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Priscilla – movie review

It’s been a boom time for new films from some of cinema’s great stylists. In the past 12 months, we’ve had new movies from the likes of Wes Anderson, Christopher Nolan and Martin Scorsese. Now we have a new release from Sofia Coppola in Priscilla; a layered, impressionistic portrait of the relationship between Priscilla Presley…

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Lost Illusions – movie review

An intricate and cleverly woven tale of naïveté and deception, Xavier Giannoli’s period drama Lost Illusions reminded me of Dangerous Liaisons (1988). Lucien de Rubempre (Benjamin Voisin) is a budding poet working at a printing factory in provincial France in the 1820s. He is feted by noble woman and patroness Louise de Bargeton (Cecile de…

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The Duke – movie review

Art and crime have always been strange but frequent bedfellows. From the often-illegal activities of Caravaggio to the sensational art heists of the 20th Century, public fascination with both never seems to wane. And while art crime can be deadly serious, director Roger Michell gives it a comic twist in The Duke. Michell’s films tend…

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Passing – movie review

Discomfort looms large as two old school friends reunite after 12 years in Rebecca Hall’s directorial debut, Passing. It’s the 1920s.  Irene (Tessa Thompson) is the wife of a doctor, Brian (Andre Holland) and mother of two school age sons, Ted (Justus Davis Graham) and Junior (Ethan Barrett). They live in Harlem, where she volunteers…

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De Gaulle – movie review

Taking on important historical figures in cinema can be fraught. Too much detail, and the film gets bogged down; too little and it’s dismissed as superficial. In recent years, a new vehicle has emerged – the snapshot biopic. Darkest Hour used it with Churchill, as did Hitchcock (2012) with, well, Hitchcock. These films take a…

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Ammonite – movie review

Francis Lee follows up his well-received debut feature, God’s Own Country (2017), by mixing fact and fiction in Ammonite*. This finely constructed drama explores a real-life relationship, but takes it in directions not necessarily supported by the historical record. As in God’s Own Country, Ammonite delves into a same-sex relationship in a somewhat remote location….

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