Acceptance is the theme of the musical Kinky Boots, which is based on the 2005 film of the same name. Charlie Price is a young man destined to take over his family’s Northampton-based shoe manufacturing business – the fourth generation to do so. His father Harold has never thought otherwise. And yet, Charlie doesn’t have a passion for…
Women treated shamefully by the Aussie Rules’ boys’ club. That is the theme of Patricia Cornelius’ gritty, feminist play In the Club. It concerns three young women who hook up with members of a football team and pay the price. Annie (Eva Seymour) transitions from a naïve, football-mad 15-year-old to an exploited 16-year-old, which sets the tone…
Sensual and alluring, Matador combines scantily clad performers with pulsating English and Spanish beats, and acrobatic acts in a fast-moving show. It is a fusion of dance, circus and burlesque, a modern celebration of forbidden love, carnal desires, passion and pain in its many coloured hues. At its core is acceptance of diversity. Eleven performers cavort, clamber…
Featuring 22 tracks from ABBA, Mamma Mia! The Musical is bright, breezy, energetic and heaps of good-natured fun. Whenever it returns, it always goes down a treat and I never tire of seeing it. The show premiered in Oz on the 9th June 2001 and played for four years to more than 2.2 million people in eight…
Just why Deborah Conway and her husband Willy Zygier are cherished as Australian music royalty is evident when you see Songs from the Book of Life. It is an 80-minute narrative concert featuring a cavalcade of life experiences, as outlined by Conway, along with eight songs. She goes back to her childhood when her parents used…
Bananaland opens in the wake of Covid’s decimation of the performing arts sector. Only the determined can survive, and lead singer of Kitty Litter, 21-year-old Ruby Semblance (Maz McKenna) is certainly determined… uncompromising in her pursuit to have society wake up and also realise her unconventional onstage artistry. It’s all quite tongue-in-cheek as along with…
Ego focusses on the impact and legacy of Michael Gudinski through his five-decade involvement in the Australian music industry, from the inaugural Sunbury Music Festival in 1972 through to the establishment of Mushroom Records and to his work promoting tours from both local and international artists. Gudinski was a larger-than-life figure full of passion and…
It sizzles. It’s electrifying. It’s energy on steroids. Moulin Rouge! The Musical triumphs anew – a rolled gold winner that keeps on delivering. The staging, costuming, lighting, music, sound and choreography are magnificent … awe inspiring. The performers metaphorically lift the roof off one of the world’s great theatres – the Regent. The chorus numbers build and build….
Bernadette Robinson’s new theatrical offering, Divas is currently on at the Sydney Opera House. In her own words, she has chosen “10 extraordinary singers from incredibly different styles… I just made it as diverse as I could.” In her one-woman show with a three-piece backing band, Robinson unleashes all her singing, acting and comedic talents…
What a superb visual and aural feast Walanbaa Yulu-Gi is and how it has metamorphosised since Burn the Floor first burst onto the scene 25 years ago. Featuring the incredibly talented First Nations’ performer Mitch Tambo, the production has no shortage of sizzle. The deft footwork … the singing … the showmanship is top shelf all the…
