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Where Hands Touch – movie review

Where Hands Touch sheds light on how Germans treated bi-racial people during WWII. The Nazis contempt for Jews is well known (and again features in this film) but the focus is on a bi-racial teen and her increasing victimisation. It’s 1944. In the Rhineland, Lenya (Amandla Stenberg) is coming of age. She’s the teenage daughter…

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Us – movie review

Jordan Peele’s (Get Out) latest horror-thriller, Us, explores the concept of evil doppelgängers. Peele writes, directs and co-produces. He’s played on his fear of look-alikes. Lupita Nyong’o is Adelaide Wilson, a woman returning to her childhood home. She’s bringing her husband, Gabe (Winston Duke), and their two children, Zora (Shahadi Wright Joseph) and Jason (Evan…

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Five Feet Apart – movie review

In 2014’s The Fault in Our Stars, two teenage cancer patients fell in love. Five Feet Apart focuses on the challenges faced by two besotted teens with cystic fibrosis. They’re forbidden from touching one another … and definitely can’t kiss. Haley Lu Richardson (The Edge of Seventeen) and Cole Sprouse (Riverdale) bring to life Stella…

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Destroyer – movie review

Nicole Kidman is virtually unrecognisable for much of Destroyer. Her hair is dishevelled, and her face is blemished and hollow. Her eyes have no life in them and it’s difficult to make out what she’s saying. Talk about bleeding for your art. As a young detective, Erin Bell (Kidman) and her partner Chris (Sebastian Stan)…

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Hydra (QT/STCSA) – Theatre Review

It’s been a long time since I have read George Johnston’s 1964 Miles Franklin Award-winning My Brother Jack. However, through the lens of undergraduate literary-study nostalgia, I still recognise the seminal Australian novel’s place as part of our country’s canon, despite its challenge to our comfortable assumptions of national character. Still, like many I imagine,…

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Pimped – movie review

The subject matter of Pimped is tawdry; nasty in fact. This is a film that starts out without much promise, but gradually draws you into its deviant web. It’s a psycho-sexual thriller in which the protagonist is emblematic of the #MeToo era. Sarah Montrose (Ella Scott Lynch) is a conflicted, mysterious woman. I say that…

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