It seems to be a film a year in the “After” teen-romance franchise, and now we’re onto the fourth. Unless you’ve seen the others you might find it difficult to follow the threads because the action just starts with a presumption of character knowledge. The series began with After in 2019, followed by After We…
Like Sex and the City, Tiddas is a frank and warm look at female friendship. Far from the hustle and bustle of New York City, however, the story is set under the blooming jacarandas of 2022 Brisbane, which makes its world premiere as part of this year’s Brisbane Festival, especially appropriate. The page-to-stage adaptation of…
A dramatic comedy, Bed & Breakfast is a brilliantly written, outstandingly realised double hander with many parts. The work of Canadian playwright Mark Crawford, this marks its international premiere. Frankly, a work of this quality, containing such important subject matter, should be seen globally. The action takes place in Melbourne, Ballarat and in a smaller regional setting,…
Colm Bairéad’s The Quiet Girl is a deeply affecting work – I had tears running down my cheeks on the final scene. We’re in rural Ireland in 1981. Cait (Catherine Clinch) (aged 9) is one of five children who keeps to herself, says very little but observes much. There is no love shown to her…
Identity is the theme of a dramatic comedy about a 34-year-old who is trying to get a sense of self. Korean-born Lucy (Susanna Qian) was adopted by her quintessential Australian parents – Shirley (Maude Davey) and George (Syd Brisbane) – when she was four. She was brought up with much love in a small country town. Now, out…
A deceptively clever period crime drama, director Graham Moore’s The Outfit is a slow burn mesmeriser. Set in Chicago in 1956, all the action takes place at the premises of a bespoke tailor. Leonard (Mark Rylance) is a well-spoken, nondescript British “cutter” who takes great pride and pleasure in his work. His narrative about what…
After spending two years in a Chinese jail for organising a protest that never happened, Lin Bo (Louis Le) has given an exclusive interview to The New Yorker. The artist explains what led to his imprisonment and interrogation, which included beatings. He speaks about the abject conditions in prison – appalling food, cockroaches aplenty and not even a…
The Cremorne Theatre stage is packed with nooks and crannies to become the Yeppoon settings of shake and stir theatre company’s latest page-to-stage adaptation, the world premiere of Fourteen (part of this year’s Brisbane Festival). The show is fast moving from the outset, propelled by a dynamic soundscape, which places us firmly into the time…
French auteur Claire Denis (White Material) often explores fragile relationships in her films, looking at the tension between her characters and the corrosive effects of the lack of trust. Her latest film Both Sides of the Blade (known as Fire in some territories) explores a romantic triangle that spirals out of control and the emotional…
In Orphan: First Kill, Leena (Isabelle Fuhrman) looks every bit like a 10-year-old girl. But she’s actually 31 and the most dangerous patient in an Estonian psychiatric institution. Particularly devious, she’s also deadly. When she escapes from the facility, she poses as the long-lost young daughter of a wealthy American family. Thinking his daughter has…
