You’re The Man, a 75-minute play about the ugly face of domestic violence, is dramatic, potent and upsetting, just as it should be. Paul Mitchell has written and acts in this incendiary piece of work. Through a series of quick-fire vignettes, we piece together the story of crane operator Mark, his professional wife Phoebe and…
Eucalyptus, the fully realised new opera, made its premiere at Brisbane Festival in a co-production by Opera Australia, Victorian Opera, Perth Festival and Opera Queensland. Based on Murray Bail’s fantastical, haunting 1998 novel of the same name and winner of the Miles Franklin Award, Eucalyptus was first performed in a concert version earlier this year…
I saw Red Stitch’s Iphigenia in Splott three years ago and thought it was one of the finest productions I had seen. This return season serves to reinforce my original sentiment. What an ordeal! If Iphigenia in Splott is tough to watch because of the material it covers, just imagine what it would be like…
The vicissitudes of show business are brought into sharp focus in theatrical’s production of A Chorus Line. Under the keen eye of formidable director Zach and his assistant choreographer Larry, 24 dancers audition for an upcoming Broadway production. Two dozen are soon whittled down to 17. That is when, in between the dancing, Zach asks…
On an Egyptian paddle steamer in the 1950s, heiress Kay Mostyn boards with her new husband Simon. Stalked by Simon’s ex-fiancée, and joined by a colourful cast of other passengers with dark motives, their honeymoon quickly becomes a nightmare, in this gripping murder mystery play from the Genesian Theatre Company. Death on the Nile is…
Noni Hazlehurst delivers an inspired performance in the slice of life piece Mother. Homeless and shoeless, she plays the character Christie. Christie married Lenny (who we don’t meet) because both were lonely. They had a baby, but Lenny is critical of Christie because she drinks – a lot and frequently. Christie channels their conversations. There…
We seem to have been getting more European – specifically French – films in Australian cinemas recently. That might be a hangover from Hollywood’s troubles over the past year or two, but it provides an opportunity for more diverse offerings. And few films could be further from a Hollywood blockbuster than Catherine Breillat’s enigmatic Last…
Thomas Bidegain’s tension-filled thriller Suddenly involves a couple marooned on a remote Antarctic island. Their hopes of survival diminish as days turn to weeks and months. Ben (Gilles Lellouche) and Laura (Melanie Thiery) have been together for five years as they embark on a global sailing voyage. Their next populated port of call is a…
Revenge is at the heart of the dark fantasy romance, The Crow. This is a remake of Australian Alex Proyas’ 1994 film of the same name. Both movies are based on the comic book series by James O’Barr. This time, Rupert Sanders (Snow White and the Huntsman) is in the director’s chair. Eric (Bill Skarsgård)…
Of all movie sub-genres, the music biopic seems particularly resistant to change. With perhaps a couple of exceptions, they all follow the same basic structure – humble beginnings, meteoric rise, success and inevitable decline (often with a dose of 12-step redemption). Midas Man – Joe Stephenson’s portrait of The Beatles’ manager Brian Epstein – is…
