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Blackout Songs (Red Stitch Actors’ Theatre) – theatre review

Addiction unplugged. The rollercoaster. Ecstatic. Imaginative. Outrageous. Vitriolic. Sexually charged. Ugly. Brutal. Destructive. Deadly. So is the relationship with the bottle explored in Joe White’s no holds barred drama Blackout Stories. Alice is gregarious, demonstrative and creative – the life of a party. She drinks and her mind is like a sieve. She constructs colourful stories. She spots…

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The Beast – movie review

In these days of endless sequels, prequels, re-boots and re-imaginings, it often feels odd to encounter something out of left field. But you can always trust French cinema to deliver something out of the ordinary – and director Bertrand Bonello delivers just that with The Beast. Bonello and his screenwriting partners Guillaume Bréaud and Benjamin…

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Julia (MTC) – theatre review

It was 9th October 2012 when Prime Minister Julia Gillard drew a line in the sand … when she refused to stay silent any longer. To that point she had effectively put up with personal attacks and insults from her political adversaries and the media. Those related to her spartan home environment, her looks, her choice of…

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Win tickets to The Convert

– The Convert – Only in cinemas from 20 June 2024 We have 5 double in-season passes thanks to Kismet Movies. *(Tickets valid in Australia only)* Watch the trailer HERE New Zealand in the 1830s is a Māori world, dominated by tribal wars. Seeking redemption from a dark past, lay preacher Thomas Munro (GUY PEARCE)…

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The Teachers’ Lounge – movie review

A diligent young teacher is caught up in a seemingly never-ending downward spiral in Ilker Catak’s film The Teacher’s Lounge. Try as she might, whichever way she manoeuvres seems to make matters worse. Carla Nowak (Leonie Benesch) is in her first job at a German school. She teaches 12-year-olds (sixth-graders) and cares a great deal….

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Furiosa: A Mad Max Saga – movie review

George Miller’s latest opus in the “extended Mad Max Universe [TM]” is Furiosa: A Mad Max Saga. The film delivers two things Australian audiences love: fast cars and, um… Greek mythology (?). Yep, Miller takes a page from the likes of Theo Angelopoulos (Ulysses’ Gaze) and the Coen Brothers (O Brother, Where Art Thou) by…

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