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The Hate U Give – movie review

In The Hate U Give, 16 year-old Starr Carter (Amandla Stenberg) is caught between two worlds. She lives with her African-American family in the ironically named Garden Heights, an impoverished black neighbourhood in Georgia; but she attends Wilmington Prep, a prestigious primarily white school in a more affluent neighbourhood. At school, Starr carefully protects her…

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Mandy – streaming review

In Rambo II and Cobra, George Pan Cosmatos directed two Sylvester Stallone films which could hardly be more 80s; these movies stand as two of the more memorable examples from that decade’s glut of violent action cinema. Cosmatos died in 2005, but with Mandy his son Panos revisits the era of his father’s greatest successes…

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The Mule – movie review

Not to be confused with the 2014 Australian comedy of the same name, The Mule is the latest from prolific filmmaker Clint Eastwood. The Mule tells the semi-fictional account of a 90-year old man who ran drugs for a powerful Mexican cartel. The film was inspired by the New York Times article “The Sinaloa Cartel’s…

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Storm Boy – movie review

Coming-of-age stories about the unconventional but uplifting friendship between children and animals have been a staple of cinema for years. Henry Safran’s 1976 film of Storm Boy was a heartfelt classic from the period of the re-emergence of the Australian film industry and it touched a generation of filmgoers. Adapted from Colin Thiele’s beloved 1964…

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Loro – movie review

Loro is a bloated two and a half hour indulgence that serves up pure unadulterated hedonism. Co-written and directed by Paolo Sorrentino (The Great Beauty), the film is about Italian media tycoon and politician Silvio Berlusconi (Toni Servillo) between 2006 to 2010. In this fictional account, Sorrentino speculates on what may or may not have taken…

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Glass – movie review

In Glass, filmmaker M Night Shyamalan brings together the central characters from 1999’s Unbreakable and 2016’s Split for a climactic showdown that brings this unofficial trilogy to a close. At the end of Split, Shyamalan did include a post-credits sting hinting that the film was a part of the Unbreakable universe. But he had to…

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